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A rose by any other name would smell as sweet" is a popular adage from William Shakespeare's play Romeo and Juliet, in which Juliet seems to argue that it does not matter that Romeo is from her family's rival house of Montague. The reference is used to state that the names of things do not affect what they really are.
The last part is a direct allusion to 1 Corinthians 15, verse 31: ... “A Biblical Echo in Romeo and Juliet” Notes and Queries 51(3) (Sep 2004): 278–9.
three times. This triple curse, directed at the Montague and Capulet houses, almost literally comes true. Due to an unfortunate coincidence – a plague quarantine imposed by the city guards – Friar John is unable to deliver a letter informing the exiled Romeo that Juliet is not dead but asleep. As a result, both Romeo and Juliet perish.
‘Romeo and Juliet’ Swift’s most famous literary reference came in “Love Story” from 2008’s Fearless, where the narrator is Juliet to her love interest’s Romeo. Unlike Shakespeare’s ...
Queen Mab, illustration by Arthur Rackham (1906). Queen Mab is a fairy referred to in William Shakespeare's play Romeo and Juliet, in which the character Mercutio famously describes her as "the fairies' midwife", a miniature creature who rides her chariot (which is driven by a team of atom-sized creatures) over the bodies of sleeping humans during the nighttime, thus helping them "give birth ...
Romeo and Juliet is a dramatization of Brooke's translation, and Shakespeare follows the poem closely but adds detail to several major and minor characters (the Nurse and Mercutio in particular). [23] [24] [25]
Pyramus and Thisbe are usually regarded as the source for Romeo and Juliet, [3] and is featured in A Midsummer Night's Dream. Wuthering Heights , considered to be one of the greatest love stories in literary works, [ 4 ] is a tale of all-encompassing and passionate, yet thwarted, love between the star-crossed Catherine Earnshaw and Heathcliff ...
A mock-Victorian revisionist version of Romeo and Juliet ' s final scene forms part of the 1980 stage-play The Life and Adventures of Nicholas Nickleby. This version has a happy ending: Romeo, Juliet, Mercutio and Paris are restored to life, and Benvolio reveals he is Paris' love, Benvolia, in disguise. [16]