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R-labialization, which should not be confused with the rounding of initial /r/ described above, is a process occurring in certain dialects of English, particularly some varieties of Cockney, in which the /r/ phoneme is realized as a labiodental approximant [ʋ], in contrast to an alveolar approximant [ɹ].
This makes them different from specific language impairment, which is primarily a disorder of the syntax (grammar) and usage of language rather than the sound system. However, the two can coexist, affecting the same person. Other disorders can deal with a variety of different ways to pronounce consonants. Some examples are glides and liquids.
The loss of postvocalic /r/ in the British prestige standard in the late 18th and the early 19th centuries influenced the American port cities with close connections to Britain, which caused upper-class pronunciation to become non-rhotic in many Eastern and Southern port cities such as New York City, Boston, Alexandria, Charleston, and Savannah. [9]
Quite often, r is used in phonemic transcriptions (especially those found in dictionaries) of languages like English and German that have rhotic consonants that are not an alveolar trill. That is partly for ease of typesetting and partly because r is the letter used in the orthographies of such languages.
The phenomenon of intrusive R is a reinterpretation [11] [12] of linking R into an r-insertion rule that affects any word that ends in the non-high vowels /ə/, /ɪə/, /ɑː/, or /ɔː/; [13] when such a word is closely followed by another word beginning in a vowel sound, an /r/ is inserted between them, even when no final /r/ was historically ...
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In most English dialects, there are vowel shifts that affect only vowels before /r/ or vowels that were historically followed by /r/. Vowel shifts before historical /r/ fall into two categories: mergers and splits. Mergers are more common, so most English dialects have fewer vowel distinctions before historical /r/ than in other positions of a ...
Chopra says Rodgers was immediately “really trusting” with him and Hughes, adding that throughout their year working together on the documentary, Rodgers “was very open and vulnerable.”
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