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While Seneca's plays evoke Aeschylus' Oresteia in narrative and characters, they also serve the important purpose of shedding light on unclear scenes in the original Agamemnon. Additionally, Seneca once again philosophizes the original story further, while adding more violently-detailed recounts of the murders that took place off-stage. [12]
While Euripides' Medea shares similarities with Seneca’s version, they are also different in significant ways. Seneca's Medea was written after Euripides', and arguably his heroine shows a dramatic awareness of having to grow into her (traditional) role. [7] Seneca opens his play with Medea herself expressing her hatred of Jason and Creon.
The Oresteia trilogy consists of three plays: Agamemnon, The Libation Bearers, and The Eumenides. It shows how the Greek gods interacted with the characters and influenced their decisions pertaining to events and disputes. [1] The only extant example of an ancient Greek theatre trilogy, the Oresteia won first prize at the Dionysia festival in ...
Seneca Most surviving ancient Roman tragedies can be categorized as fabula crepidata (tragedy based on Greek subjects). They explored the psychology of the mind through monologues, focusing on one's inner thoughts, the central causes of their emotional conflicts, dramatizing emotion in a way that became central to Roman tragedy.
Tragedies written by Lucius Annaeus Seneca, who is also known as Seneca the Younger.Octavia is included in the category, as although it is very probably not by him, [1] it is usually included in collections of Seneca's plays, such as the Penguin Classics book of Seneca's plays, Four Tragedies and Octavia
Seneca's influence in literature is reflected through other works. In Arnold's Sonnet on Shakespeare, the influence of Seneca is apparent. "The reminiscence of Atreus' speech in the Thyestes of Seneca, which might subtend Cleopatra's own passionate, distended rhetoric about Antony" (Edgecombe, 257).
In Aeschylus's Oresteia, Aegisthus is a minor figure. In the first play, Agamemnon, he appears at the end to claim the throne, after Clytemnestra herself has killed Agamemnon and Cassandra. Clytemnestra wields the axe she has used to quell dissent.
Euripides, Orestes, Oxford, MS. Barocci 120, fol. 32r (early 14th century) Aeschylus' play Eumenides, the third part of his surviving Oresteia trilogy, enshrines the trial and acquittal of Orestes within the foundation of Athens itself, as a moment when legal deliberation surpassed blood vengeance as a means of resolution.