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Hát tuồng is often referred to as classical "Vietnamese opera" influenced by Chinese opera. [2] [3] Tuồng is distinct from the older hát chèo genre of Vietnamese theatre which combines dance, song and poetry, and the more modern cải lương folk musical.
The instrument originated from South Viet Nam, and is used in entertainment contexts. It can be played alone, as part of an orchestra, or to accompany cải lương (Vietnamese folk opera). The instrument’s name can be broken down as “đàn” meaning string instrument, and “gáo” literally translated as an aged coconut shell used as a ...
A noted cải lương singer, Ngọc Huyền Popular artist Mộng Tuyền performs the leading role in a Cải lương Presentation Tuồng cải lương (Vietnamese: [tûəŋ ka᷉ːj lɨəŋ], Hán-Nôm: 從改良) often referred to as Cải lương (Chữ Hán: 改良), roughly "reformed theater") is a form of modern folk opera in Vietnam.
Chèo is a form of generally satirical musical theatre, often encompassing dance, traditionally performed by Vietnamese peasants in northern Vietnam. It is usually performed outdoors by semi-amateur touring groups, stereotypically in a village square or the courtyard of a public building, although it is today increasingly also performed indoors and by professional performers.
Vietnamese composers also followed Western classical music, such as Cô Sao by Đỗ Nhuận, considered as the first Vietnamese opera. Hoàng Vân signed Thành Đồng Tổ Quốc , in 1960, considered as the first Vietnamese symphonie, and Chị Sứ as the first Vietnamese ballet in 1968, as well as the dozen of Choir with symphonic ...
Having learned enough Vietnamese to get by, he wandered on foot as the war raged around him, capturing bursts of gunfire and mortar launches on tape along with the singing voices.
Traditional Vietnamese musical instruments are the musical instruments used in the traditional and classical musics of Vietnam. They comprise a wide range of string, wind, and percussion instruments, used by both the Viet ( Kinh ) majority as well as the nation's ethnic minorities .
Fado – Portuguese folk music, often touching on the themes of melancholia and working class struggles. Falak music – Afghan, Tajik, and Pakistani religious folk music. Fandango – Spanish music made to accompany the upbeat dance of the same name. Farruca – a light style of flamenco. Festejo – a style of Afro-Peruvian music.