Search results
Results from the WOW.Com Content Network
Hát tuồng is often referred to as classical "Vietnamese opera" influenced by Chinese opera. [2] [3] Tuồng is distinct from the older hát chèo genre of Vietnamese theatre which combines dance, song and poetry, and the more modern cải lương folk musical.
Tuồng cải lương (Vietnamese: [tûəŋ ka᷉ːj lɨəŋ], Hán-Nôm: 從改良) often referred to as Cải lương (Chữ Hán: 改良), roughly "reformed theater") is a form of modern folk opera in Vietnam. It blends southern Vietnamese folk songs, classical music, hát tuồng (a classical theatre form based on Chinese opera), and modern ...
The instrument originated from South Viet Nam, and is used in entertainment contexts. It can be played alone, as part of an orchestra, or to accompany cải lương (Vietnamese folk opera). The instrument’s name can be broken down as “đàn” meaning string instrument, and “gáo” literally translated as an aged coconut shell used as a ...
Cải lương: a form of modern folk opera that blends southern Vietnamese folk songs, classical music, hát tuồng (a classical theatre form based on Chinese opera), and modern spoken drama. It originated in Southern Vietnam in the early 20th century and blossomed in the 1930s as a theatre of the middle class during the country's French ...
Xẩm or Hát xẩm (Xẩm singing) is a type of Vietnamese folk music which was popular in the Northern region of Vietnam but is considered nowadays an endangered form of traditional music in Vietnam. In the dynastic time, xẩm was performed by blind artists who wandered from town to town and earned their living by singing in common places.
Having learned enough Vietnamese to get by, he wandered on foot as the war raged around him, capturing bursts of gunfire and mortar launches on tape along with the singing voices.
Chèo is a form of generally satirical musical theatre, often encompassing dance, traditionally performed by Vietnamese peasants in northern Vietnam. It is usually performed outdoors by semi-amateur touring groups, stereotypically in a village square or the courtyard of a public building, although it is today increasingly also performed indoors and by professional performers.
Đàn tre ("bamboo instrument") - A hybrid form of the Vietnamese plucked string instrument, similar to a Đàn tính, called a Đàn tre, was created by Nguyễn Minh Tâm, who escaped from Vietnam in 1982 and ultimately settled in Australia. The instrument has twenty-three 800 mm (31 in)-long wire strings attached to a bamboo tube with a ...