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Arthur Koestler CBE (UK: / ˈ k ɜː s t l ər /, US: / ˈ k ɛ s t-/; German:; Hungarian: Kösztler Artúr; 5 September 1905 – 1 March 1983) was an Austro-Hungarian-born author and journalist. Koestler was born in Budapest , and was educated in Austria, apart from his early school years.
Koestler's contribution appeared on 2 October 1969. Sins of Omission: While Six Million Died by Arthur D. More. Reviewed in the Observer, 7 April 1968. The Future if any: The Biological Time-Bomb by Gordon Rattray Taylor. Reviewed in the Observer, 21 April 1968. Going Down the Drain : The Doomsday Book by Gordon Rattray Taylor.
Arthur Koestler, The Sleepwalkers: A History of Man's Changing Vision of the Universe (1959), Hutchinson; First published in the United States by Macmillan in 1959; Published by Penguin Books in 1964; Reissued by Pelican Books in 1968; Reprinted by Peregrine Books in 1986; ISBN 0-14-055212-X; Reprinted by Arkana in 1989; ISBN 0-14-019246-8 [9]
Holacracy is a method of decentralized management and organizational governance, which claims to distribute authority and decision-making through a holarchy of self-organizing teams rather than being vested in a management hierarchy. [1] [2] Holacracy has been adopted by for-profit and non-profit organizations in several countries. [3]
Pages in category "Arthur Koestler" The following 14 pages are in this category, out of 14 total. This list may not reflect recent changes. ...
Written during the middle of World War II, Arrival and Departure reflects Koestler's own plight as a Hungarian refugee. Like Koestler, the main character, Peter Slavek, is a former member of the Communist party. [2] He escapes to "Neutralia," a neutral country based on Portugal, where Koestler himself had gone, and flees from there.
The term holon was coined by Arthur Koestler in The Ghost in the Machine (1967), though Koestler first articulated the concept in The Act of Creation (1964), in which he refers to the relationship between the searches for subjective and objective knowledge: Einstein's space is no closer to reality than Van Gogh's sky.
This is a common theme in Koestler's work and life. Koestler uses his portrayal of the original slave revolt to examine the experience of the 20th-century political left in Europe following the rise of a Communist government in the Soviet Union. He published it on the brink of World War II. Originally written in German, the novel was translated ...