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Refer to Lenin Collected Works, vol. 35, "Recorded Speeches" Record ⓘ 17: А-0291: 5th session / Tsentropechat: Concessions and the development of capitalism: 25-Apr-1921: Refer to Lenin Collected Works, vol. 35, "Recorded Speeches" Record ⓘ 18: А-0292: 5th session / Tsentropechat: Non-party men and Soviet Power: 25-Apr-1921: Russian ...
The plan had the significance of creating a large demand for monumental sculpture on a state level, and thus it stands at the origins of the Soviet school of sculpture. The "plan" consisted of two main projects: (1) – decorating buildings and other surfaces "traditionally used for banners and posters" with revolutionary slogans and memorial ...
a statue of Lenin stands in front of the Lenin House of Culture in Sotsgorod; Kaliningrad – major monument to Lenin by the sculptor VB Topuridze installed at Victory Square in 1958. In 2005, during the reconstruction of the area, the monument was removed allegedly temporarily, for the restoration, but after the reconstruction the monument was ...
The construction of large monumental statues was a key part of Lenin's strategy of "Monumental propaganda" which proposed the use visual art to propagate revolutionary ideas. Such symbolism included other statues that were portrayals of realist allegorical figures in motion, figuratively striding forward into the new Soviet age, as well as ...
The text of Article 71 states: "The state flag of the Union of Soviet Socialist Republics consists of a red or scarlet field with the state's coat of arms." It was ordered with the unusual ratio of 4:1 in proportion and consisted of a red flag with the state coat of arms in the center. However, such a flag was never mass-produced.
Propaganda presented him as Lenin's heir, exaggerating their relationship, until the Stalin cult drained out the Lenin cult – an effect shown in posters, where at first Lenin would be the dominating figure over Stalin, but as time went on became first only equal, and then smaller and more ghostly, until he was reduced to the byline on the ...
Manifestation of war veterans and invalids in Petrograd on 17 April 1917 against Lenin's arrival. The April Theses (Russian: апрельские тезисы, transliteration: aprel'skie tezisy) were a series of ten directives issued by the Bolshevik leader Vladimir Lenin upon his April 1917 return to Petrograd from his exile in Switzerland via Germany and Finland.
This "taxi-hailing" pose is common to many Lenin statues, though Berkeley Professor Laura Bonnell states that this depiction differs from later versions in that Lenin's arm is used to indicate a directional movement, rather than offering a benediction to the masses. [8] [9] The statue's left hand holds the lapels of Lenin's overcoat and suit ...