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Sound mixer at work. A production sound mixer, location sound recordist, location sound engineer, or simply sound mixer is the member of a film crew or television crew responsible for recording all sound recording on set during the filmmaking or television production using professional audio equipment, for later inclusion in the finished product, or for reference to be used by the sound ...
A professional audio store is a retail establishment that sells, and in many cases rents, expensive, high-end sound recording equipment (microphones, [3] audio mixers, digital audio recorders, speakers and surround sound speakers, [4] monitor speakers) and sound reinforcement system gear (e.g., speaker enclosure cabinets, stage monitor speakers, power amplifiers, subwoofer cabinets) and ...
A sound engineer at the controls of a SSL9000J mixer. Most, but not all, audio mixers can use monaural signals to produce simulated stereo sound through panning. provide phantom power required by condenser microphones. Some mixers can add onboard external effect units (reverb, echo, delay). Mixers with onboard digital effects typically offer a ...
That is, the mixer is re-recording sound already recorded elsewhere (the basis of the North American name) after passing it through mixing equipment such as a digital audio workstation and may dub in additional sounds in the process (the basis of the European name). While mixing can be performed in a recording studio or home office, a full-size ...
Fostex B-16 recorder. From 1981, Fostex and TASCAM pioneered affordable multitrack recording equipment, with Fostex producing the A-2 and the A-4 reel-to-reel recorders; the A-8 was the first eight-track recorder that used affordable ¼ inch tape, becoming a popular choice in the freelance and home recording field.
A utility sound technician is a person to both the production sound mixer and the boom operator on a film or television set. Although sometimes the utility pulls cable and wrangles it for the boom operator, the position has evolved to far more than just a cableperson.
[1] [5] Hayes was the production sound mixer for the 2012 epic period musical film Les Misérables, for which the Academy of Motion Picture Arts and Sciences awarded him the Oscar for Best Sound Mixing at the 85th Academy Awards, alongside Andy Nelson and Mark Paterson. [2]
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