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Iroquois music and dance are central components of traditional social gatherings, which take place in longhouses. [ 1 ] These gatherings are led by an individual who finds lead dancers and singers and introduces them to the audience, also providing dancing instructions.
Iroquois oral history tells the beginning of the False Face tradition. According to the accounts, the Creator Shöñgwaia'dihsum ('our creator' in Onondaga), blessed with healing powers in response to his love of living things, encountered a stranger, referred to in Onondaga as Ethiso:da' ('our grandfather') or Hado'ih (IPA:), and challenged him in a competition to see who could move a mountain.
Together, these calendars would coincide once every 52 years, the so-called "calendar round," which was initiated by a New Fire ceremony. Aztec years were named for the last day of the 18th month according to the 260-day calendar the tonalpōhualli. The first year of the Aztec calendar round was called 2 Acatl and the last 1 Tochtli.
Folk festivals are an important part of American community life. For the American people, popular folk festivals are important events composed of complex folklore phenomena. [1] Folk festivals are generally used to celebrate folk music and traditional folk crafts, and some folk festivals are embodied in the form of dance and art.
Iroquois mythology tells of Hé-no, the spirit of thunder who brings rain to nourish the crops. The Iroquois address Hé-no as Tisote (transl. Grandfather). He appears as a warrior, wearing on his head a magic feather that makes him invulnerable to the attacks of Hah-gweh-di-yu.
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The Iroquois custom of "Mourning wars" to take captives who would become Iroquois reflected the continual need for more people in the Iroquois communities. Iroquois warriors were brave, but would only fight to the death if necessary, usually to protect their women and children; otherwise, the crucial concern for Iroquois chiefs was always to ...
A map of the Southeastern Ceremonial Complex and some of its associated sites. Southeastern Ceremonial Complex (formerly Southern Cult, Southern Death Cult or Buzzard Cult [1] [2]), abbreviated S.E.C.C., is the name given by modern scholars to the regional stylistic similarity of artifacts, iconography, ceremonies, and mythology of the Mississippian culture.