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The dreadnought is a type of acoustic guitar body developed by American guitar manufacturer C.F. Martin & Company. [1] The style, since copied by other guitar manufacturers, has become one of the most common for acoustic guitars. Its shape is characterized by square shoulders, a relatively flat tail end, and a wide waist with a large radius ...
The lower control knob is a three-position rotary switch, selecting between the neck pickup, neck + humbucker, or humbucker. The guitar body is basswood 1-9/16" thick (~1/4" thinner than standard Strats), with edge reliefs for forearm & belly, with 2 separate pickup cavities, connected by a drilled passage started from the neck pocket.
The KV2 is one of the 4 USA Select Series guitars (alongside the KE2, RR1, and WR1) built with the "Jackson Speed Neck" profile, a slim neck thickness for a fast playability. KV2T (USA Series) The KV2T is a variant of the King V which comes under the 'USA Select Series' of Jackson Guitars .
The guitar was constructed similarly to other B.C. Rich models such as the Seagull, Eagle, and Mockingbird, with neck-through construction, two DiMarzio humbucker pick-ups, and a Leo Quan Badass bridge. As the guitar was adopted by the heavy metal scene, later models featured Kahler and Floyd Rose vibratos and bolt-on necks. [4]
The first in the series, the S7320 sported all the same basic features as the non-Prestige models of the S Series (22 frets, Wizard-II neck, thin contoured mahogany body, ZR tremolo, jumbo frets) but had a different pickup configuration consisting of 2 Ibanez Axis Humbuckers, the AH1 and AH2, no middle pickup, but a 5 way selector giving the ...
Les Paul built the model using a recycled 4x4 fence post as the neck and body core, and mounted the disassembled parts of an Epiphone and Gibson archtop guitar onto it. Neck-through construction on an early Ibanez Studio guitar. Despite its neck-thru construction, it has a bulky heel with little or no chamfering. This greatly negates the ...
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Later, the two specified a shorter scale and narrower-than-standard neck. Guitarists who had an opportunity to play Gibson samples liked the Byrdland's short scale neck (23 + 1 ⁄ 2 in [60 cm]), which facilitated intricate single-note patterns and unusual stretched chord voicings. The Byrdland then became a regular production instrument.
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