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All through the meadows the horses and cattle: All of the sights of the hill and the plain Fly as thick as driving rain; And ever again, in the wink of an eye, Painted stations whistle by. Here is a child who clambers and scrambles, All by himself and gathering brambles; Here is a tramp who stands and gazes;
A writer in The Sydney Morning Herald noted, of the original publication: "A beautiful volume, as far as typography goes, is Mr Will H. Ogilvie's 'Fair Girls and Gray Horses,' a collection of Australian poetry with the imprint of the 'Bulletin' Company. The real westward—that means anywhere from Menindie to the Gulf of Carpentaria and west of ...
The first recognizable ancestor of the rhyme was recorded in William Camden's (1551–1623) Remaines of a Greater Worke, Concerning Britaine, printed in 1605, which contained the lines: "If wishes were thrushes beggars would eat birds". [4] The reference to horses was first in James Carmichael's Proverbs in Scots printed in 1628, which included ...
A number of horses feature in Nordic mythology, both throughout tales and in lists such as those in the poem Kálfsvísa and the þulur. [4] [5] These include the horses of the Æsir, ridden by gods such as Odin and Freyr, Skinfaxi and Hrímfaxi, the horses that pull Day and Night respectively, and Grani, the horse of Sigurð Fáfnir's bane.
"Marigolds" is a 1969 short story by Eugenia Collier. The story draws from Collier's early life in rural Maryland during the Great Depression . Its themes include poverty, maturity and the relationship between innocence and compassion. [ 1 ]
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The Devil decides to chase Tam, but the evident pride in the ability of his horse is justified as she is able to help him to "win the key-stone o' the brig". (The Devil, witches and warlocks cannot cross running water.) They only just make it though, as Nannie, first among the "hellish legion" chasing, grabs the horse's tail, which comes off.
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