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Antigone, also known as The Antigone of Sophocles, is an adaptation by the German dramatist Bertolt Brecht of Hölderlin's translation of Sophocles' tragedy.It was first performed at the Chur Stadttheater in Switzerland in 1948, with Brecht's second wife Helene Weigel, in the lead role. [1]
Don Juan is an adaptation by the twentieth-century German dramatist Bertolt Brecht of the 17th century French play Dom Juan by Molière. It was the first performance of the Berliner Ensemble after its move to Theater am Schiffbauerdamm , in 1954.
The Duchess of Malfi is an adaptation by the twentieth-century German dramatist Bertolt Brecht of the English seventeenth-century tragedy of the same name by John Webster. [1] He collaborated with H. R. Hays and Anglo-American poet, W. H. Auden. [2] It was written during Brecht's period of exile in the United States. [2] In premiered in New ...
Poster for the Riverside Shakespeare Company's production of Edward II. New York, 1982.. The Life of Edward II of England (German: Leben Eduards des Zweiten von England), also known as Edward II, is an adaptation by the German modernist playwright Bertolt Brecht of the 16th-century historical tragedy by Marlowe, The Troublesome Reign and Lamentable Death of Edward the Second, King of England ...
Coriolanus is an unfinished German adaptation by the modernist playwright Bertolt Brecht of the English 17th-century tragedy of the same name by William Shakespeare. [1] Brecht wrote it sometime between 1951 and 1953. [1]
The Tutor is the 1950 Adaptation, by 20th century German dramatist Bertolt Brecht, of an 18th-century play by Lenz. The original Lenz play was produced in 1774 and is also known by the title "The Advantages of a Private Education". Brecht contributed few additions to the plot of the original work, but made many cuts and alterations. [1]
Brecht: The idea in the old play was a religious idea. This young people – Stripling: Did it have to do with the Communist Party? Brecht: Yes. Stripling: And discipline within the Communist Party? Brecht: Yes, yes, it is a new play, an adaptation. —"From the Testimony of Bertolt Brecht" [32]
Adapted from Bertolt Brecht's 1943 play of the same name, the film was produced by Ely Landau for the American Film Theatre, which presented thirteen adaptations of plays in the United States from 1973 to 1975. Brecht's play was then-recently called a "masterpiece" by veteran theater critic Michael Billington, as Martin Esslin had in 1960.