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Published in 1974, Western Attitudes Toward Death from the Middle Ages to the Present was French historian Philippe Ariès's first major publication on the subject of death. Ariès was well known for his work as a medievalist and a historian of the family , but the history of death was the subject of his work in his last decade of scholarly life.
The spread of Christianity throughout Europe introduced new attitudes towards death and the dead, and for the first time tombs were built in places of worship, that is churches. [12] The first medieval recumbent effigies ( gisants ) were produced in the 11th century, with the earliest surviving example being that of Rudolf of Rheinfelden (d ...
A study of attitudes towards the dead body in early modern Paris', in B.Gordon and P. Marshall (eds.), The place of the dead. Death and remembrance in late medieval and early modern Europe (Cambridge University Press, 2000), pp. 170–87
Medieval medicine is widely misunderstood, thought of as a uniform attitude composed of placing hopes in the church and God to heal all sicknesses, while sickness itself exists as a product of destiny, sin, and astral influences as physical causes. But, especially in the second half of the medieval period (c. 1100–1500 AD), medieval medicine ...
Inspired by the Ars Moriendi and the popular, The Book of the Craft of Dying during the 15th century, Londoners and western Europe at large gravitated towards a quasi-legal relationship with death and God that ensured the rightful passing of not only one's physical belonging but, also one's spiritual soul.
Gilbert and Sullivan's The Mikado musical satirized the illegality of suicide, with Ko-Ko deciding not to kill himself, as it would be a capital offence.. Attitudes towards suicide slowly began to shift during the Renaissance; Thomas More the English humanist, wrote in Utopia (1516) that a person afflicted with disease can "free himself from this bitter life…since by death he will put an end ...
Southern's The Making of the Middle Ages (1953) was a seminal work, and established Southern's reputation as a medievalist.This pioneering work, sketching the main personalities and cultural influences that shaped the character of Western Europe from the late tenth to the early thirteenth century and describing the development of social, political, and religious institutions, opened up new ...
The Black Death (1346–1353) had great effects on the art and literature of medieval societies that experienced it. Although contemporary chronicles are often regarded by historians as the most realistic portrayals of the Black Death , the effects of such a large-scale shared experience on the population of Europe influenced poetry, prose ...