Search results
Results from the WOW.Com Content Network
In the past, Western art historians have considered use of Western art media or exhibiting in international art arena as criteria for "modern" Native American art history. [47] Native American art history is a new and highly contested academic discipline, and these Eurocentric benchmarks are followed less and less today.
Changing Hands: Art without Reservation 2: Contemporary Native North American Art from the West, Northwest and Pacific. New York: Museum of Arts and Design, 2005. ISBN 1-890385-11-5. Penny, David W. North American Indian Art. London: Thames and Hudson, 2004. ISBN 0-500-20377-6. Seymour, Tryntje Van Ness. When the Rainbow Touches Down.
A History of Canadian Literature. McGill-Queen's Press - MQUP. ISBN 978-0-7735-2597-9. Peyer, Bernd (2007). American Indian Nonfiction: An Anthology of Writings, 1760s-1930s. University of Oklahoma Press. ISBN 978-0-8061-3798-8. Porter, Joy; Roemer, Kenneth M. (2005-07-21). The Cambridge Companion to Native American Literature. Cambridge ...
The Indian Arts and Crafts Act of 1990 defines "Native American" as being enrolled in either federally recognized tribes or state recognized tribes or "an individual certified as an Indian artisan by an Indian Tribe." [1] This does not include non-Native American artists using Native American themes. Additions to the list need to reference a ...
The Oklahoma and New Mexico Native American art movements in the first half of the 1900s share similar traits that define the Native American art market, including patronage, mentoring, community-based collectives, and new structures of support through education and museums. [1]
They provided artwork that was realistic of the Native American lifestyle in contrast to the work of Anglo-Americans romantic depictions. Traditional design elements were formalized at the Santa Fe Indian School, defining authentic Native American art. [4] Juanita Suazo Dubray, a lifelong resident of Taos Pueblo, is a Native American potter.
Russell's works comprised a wide variety of topics, including major historical events and everyday life in the west. His work was noted for the frequency with which he portrayed well-known events from the point of view of Native American people instead of the non-Native viewpoint. He was noted for a keen eye on the social undercurrents of ...
Over his lifetime, Sharp had produced around 10,500 works of art, including oil paintings, etchings, monotypes, pastels, and watercolors. Of these works, fully 7,800 are of Native American subjects, including 3,200 portraits. [1] He was a historian of the West as well as a painter, and helped to preserve the record of a way of life that was ...