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In Emancipation(s), Ernesto Laclau frames the empty signifier in the context of social interactions. For Laclau, the empty signifier is the hegemonic representative of a collection of various demands, constituting a chain of equivalence whose members are distinguished through a differential logic (as in elements exist only in their differences ...
Ernesto Laclau (Spanish:; 6 October 1935 – 13 April 2014) was an Argentine political theorist and philosopher. He is often described as an 'inventor' of post-Marxist political theory. He is well known for his collaborations with his long-term partner, Chantal Mouffe .
Norman Geras, in a New Left Review article titled "Post-Marxism?", lambasted Laclau and Mouffe for what he regarded as shallow obscurantism grounded on basic misunderstandings of both Marx and Marxism. After Laclau's and Mouffe's response to Geras' paper (in "Post-Marxism without apologies"), Geras doubled down with "Ex-Marxism Without ...
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Over the course of the 1990s, Butler, Laclau, and Žižek found themselves engaging with each other's work in their own books. In order to focus more closely on their theoretical differences (and similarities), they decided to produce a book in which all three would contribute three essays each, with the authors' respective second and third essays responding to the points of dispute raised by ...
Twin Peaks: Season 2 Music and More: 2007: 1. "Untitled Track #1" (Abstract wind noises with David Lynch speaking the phrase "Booth 34, X5149," a code that unlocked the song "The Norwegians" for download from his website), 2. "Untitled Track #2" (Poem "It Was Laura" from Episode 8 of Season 1, mixed to heighten the sound of the piano accompaniment)
A 6-year-old girl got the surprise of a lifetime when, after she went viral singing a song by Jelly Roll, the country music superstar responded. Now, she says she hopes to meet him — and sing ...
When a signifier crosses the bar, from above it to under it, it becomes a signified. But this leaves a space or gap above the bar which, according to Lacan, is the subject. [citation needed] In Lacanian psychoanalysis, the subject only appears fleetingly, on those rare occasions when a signifier crosses the bar, leaving an empty space above it.