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The Sickness unto Death (Danish: Sygdommen til Døden) is a book written by Danish philosopher Søren Kierkegaard in 1849 under the pseudonym Anti-Climacus. A work of Christian existentialism, the book is about Kierkegaard's concept of despair, which he equates with the Christian concept of sin, which he terms "the sin of despair".
Nabokov sent the manuscript to Hutchinson & Co. in April 1936; the company had initial reservations, but eventually agreed to publish the book. The translation was checked by a Molly Carpenter-Lee, a student of Nabokov's friend Gleb Struve. The book was a complete flop commercially and Nabokov only earned €40, a minuscule amount even in the ...
A thesaurus (pl.: thesauri or thesauruses), sometimes called a synonym dictionary or dictionary of synonyms, is a reference work which arranges words by their meanings (or in simpler terms, a book where one can find different words with similar meanings to other words), [1] [2] sometimes as a hierarchy of broader and narrower terms, sometimes simply as lists of synonyms and antonyms.
Acedia, engraving by Hieronymus Wierix, 16th century. Acedia (/ ə ˈ s iː d i ə /; also accidie or accedie / ˈ æ k s ɪ d i /, from Latin acēdia, and this from Greek ἀκηδία, "negligence", ἀ-"lack of" -κηδία "care") has been variously defined as a state of listlessness or torpor, of not caring or not being concerned with one's position or condition in the world.
"Absent antonyms" at 2Wheels: The Return; Words with no opposite equivalent, posted by James Briggs on April 2, 2003, at The Phrase Finder; Brev Is the Soul of Wit, Ben Schott, The New York Times, April 19, 2010; Parker, J. H. "The Mystery of The Vanished Positive" in Daily Mail, Annual for Boys and Girls, 1953, Ed.
“Inside Out 2” tackles this head-on. The movie’s first lesson is simple yet profound: anxiety may not feel good, but it often is good for us. Early in the film, Riley goofs around in the ...
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Kirkus Reviews stated that there was "perhaps too much" going on in the book. [7] Danny Lore of NPR stated that Solomon wrote "about Black pain in its rawest form, and we feel Vern's raw, vulnerable state throughout all of Sorrowland," but that the book ultimately placed too much emphasis on atmosphere instead of story. [8]