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  2. Variation (music) - Wikipedia

    en.wikipedia.org/wiki/Variation_(music)

    Variation techniques are frequently used within pieces that are not themselves in the form of theme and variations. For example, when the opening two-bar phrase of Chopin's Nocturne in F minor returns later in the piece, it is instantly repeated as an elegant melodic re-working:

  3. Contrapuntal motion - Wikipedia

    en.wikipedia.org/wiki/Contrapuntal_motion

    In music theory, contrapuntal motion is the general movement of two or more melodic lines with respect to each other. [1] In traditional four-part harmony, it is important that lines maintain their independence, an effect which can be achieved by the judicious use of the four types of contrapuntal motion: parallel motion, similar motion, contrary motion, and oblique motion.

  4. Thematic transformation - Wikipedia

    en.wikipedia.org/wiki/Thematic_transformation

    Thematic transformation (also known as thematic metamorphosis or thematic development) is a musical technique in which a leitmotif, or theme, is developed by changing the theme by using permutation (transposition or modulation, inversion, and retrograde), augmentation, diminution, and fragmentation.

  5. Retrograde inversion - Wikipedia

    en.wikipedia.org/wiki/Retrograde_inversion

    In music theory, retrograde inversion is a musical term that literally means "backwards and upside down": "The inverse of the series is sounded in reverse order." [ 1 ] Retrograde reverses the order of the motif 's pitches : what was the first pitch becomes the last, and vice versa. [ 2 ]

  6. Retrograde (music) - Wikipedia

    en.wikipedia.org/wiki/Retrograde_(music)

    Examples of rhythmic retrogrades occur in the music of Alban Berg, for example in the operas Wozzeck and Lulu, and in the Chamber Concerto. [29] In discussing Berg's extensive use of retrograde and palindrome, Robert Morgan coins the word "circular" to describe musical situations "in which an opening gesture returns at a composition's close ...

  7. Developing variation - Wikipedia

    en.wikipedia.org/wiki/Developing_variation

    In musical composition, developing variation is a formal technique in which the variations are produced through the development of existing material. The term was coined by Arnold Schoenberg, twentieth-century composer and inventor of the twelve-tone technique, who believed it was one of the most important compositional principles since around 1750: [1]

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  9. Musical form - Wikipedia

    en.wikipedia.org/wiki/Musical_form

    In music, form refers to the structure of a musical composition or performance.In his book, Worlds of Music, Jeff Todd Titon suggests that a number of organizational elements may determine the formal structure of a piece of music, such as "the arrangement of musical units of rhythm, melody, and/or harmony that show repetition or variation, the arrangement of the instruments (as in the order of ...

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