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Art criticism includes a descriptive aspect, [3] where the work of art is sufficiently translated into words so as to allow a case to be made. [2] [3] [7] [11] The evaluation of a work of art that follows the description (or is interspersed with it) depends as much on the artist's output as on the experience of the critic.
Arts criticism is the process of describing, analyzing, interpreting, and judging works of art. [1] The disciplines of arts criticism can be defined by the object being considered rather than the methodology (through analysis of its philosophy): buildings (architecture criticism), paintings (visual art criticism), performances (dance criticism, theatre criticism), music (music journalism ...
The variety of artistic movements has resulted in a division of art criticism into different disciplines, which may each use different criteria for their judgements. [80] [82] The most common division in the field of criticism is between historical criticism and evaluation, a form of art history, and contemporary criticism of work by living ...
Terry Michael Barrett (1945 - October 29, 2023 [1]) was an American art critic, and Professor Emeritus at Ohio State University.His many books, anthology chapters, and articles about contemporary art, art criticism, aesthetics, and the teaching of these, have had a significant impact on the field.
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According to James Elkins [4] there is a distinction between art criticism and art history based on institutional, contextual, and commercial criteria; the history of art criticism is taught in universities, but the practice of art criticism is excluded institutionally from academia.
The last step is art appreciation, which has the sub-topic of critique. In one study, over half of visual arts students agreed that reflection is an essential step of the art process. [99] According to education journals, the reflection of art is considered an essential part of the experience.
Lionello Venturi was born in Modena in 1885, son of art historian Adolfo Venturi. He became a specialist in the art of the Italian Renaissance, but was also interested in late 19th and early 20th century art. [1] In 1918, he met the financier and collector Riccardo Gualino, and advised him to buy work by Amedeo Modigliani. [2]