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Athena Scorning the Advances of Hephaestus, Paris Bordone, between c. 1555~1560. According to the Bibliotheca, Athena visited the smith-god Hephaestus to request some weapons, but Hephaestus was so overcome by desire that he tried to seduce her in his workshop. Determined to maintain her virginity, Athena fled, pursued by Hephaestus.
Athena Scorning the Advances of Hephaestus by Paris Bordone (between c. 1555 and c. 1560) Hephaestus is to the male gods as Athena is to the female, for he gives skill to mortal artists and was believed to have taught men the arts alongside Athena. [43] At Athens, they had temples and festivals in common.
In one tradition, Athena repulsed an attempt by Hephaestus to force himself upon her, and sent him fleeing. [iii] [8] Callimachus and the Pseudo-Apollodorus relate a myth that Teiresias was blinded after witnessing Athena naked in her bath; [iv] a similar tradition was attached to Artemis and the hunter Actaeon.
Athena is born from Zeus's forehead as he grasps the clothing of Eileithyia on the right; black-figured amphora, 550–525 BC, Louvre. Zeus orders a bewildered Hephaestus to strike him on the head with his hammer, insisting he do it with all his strength, or risk Zeus's anger—a threat he has made before.
As before, she is created by Hephaestus, but now more gods contribute to her completion (63–82): Athena taught her needlework and weaving (63–4); Aphrodite "shed grace upon her head and cruel longing and cares that weary the limbs" (65–6); Hermes gave her "a shameless mind and a deceitful nature" (67–8); Hermes also gave her the power ...
Polynices offering Eriphyle the necklace of Harmonia; Attic red-figure oenochoe ca. 450–440 BC. Louvre museum. The Necklace of Harmonia, also called the Necklace of Eriphyle, was a fabled object in Greek mythology that, according to legend, brought great misfortune to all of its wearers or owners, who were primarily queens and princesses of the ill-fated House of Thebes.
Lucian, writing in his book On Slips of the Tongue, describes an occasion when Hephaestion's conversation one morning implied that he had been in Alexander's tent all night, [69] and Plutarch describes the intimacy between them when he tells how Hephaestion was in the habit of reading Alexander's letters with him, and of a time when he showed ...
Though Hephaestus was involved, the festival's main focus was Athena, specifically under the epithet Athena Hephaistia [2] and Athena Ergane. [4] The offerings recorded for each day were always for Athena, not her male counterpart. Also, the main focus of the festival (the sacred peplos) was for Athena, while Hephaestus wasn't given any gifts. [5]