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Medium Close Up ("MCU" on camera scripts): Halfway between a mid shot and a close-up. Usually covers the subject's head and shoulders. Close Up ("CU"): A certain feature, such as someone's head, takes up the whole frame. Extreme Close Up ("ECU" or "XCU"): The shot is so tight that only a detail of the subject, such as someone's eyes, can be ...
Then the medium close up is a shot that has the waist to the chest and up. The next closest shot is the close up which has the shoulders and up or maybe a little tighter on the head. Finally, there is the extreme close up shot which has one body part usually. This can be an eye, a hand or anything else. These shots can be used with any of the ...
the medium-long shot, where the frame ends near the knees, the medium shot, where the frame stops either just above or just below the waist, the medium close-up, where more of the shoulder is visible than in the close-up, the close-up, where the shoulder line is visible, the extreme close-up, where the frame stops at the subject's chin and ...
Some cameras can focus on subjects so close that they touch the front of the lens. It is difficult to place a light between the camera and a subject that close, making extreme close-up photography impractical. A normal-focal-length macro lens (50 mm on a 35 mm camera) can focus so close that lighting remains difficult.
close shot close-up. Also closeup. closing credits cold open A narrative technique in which a film or television program begins by immediately showing scenes from the story, before the title sequence or opening credits are shown. color conversion filter color corrected fluorescent light color correction
A shot in which the camera is made to pivot vertically up or down (about its horizontal transverse axis) while filming. Tracking shot/traveling shot A shot in which the camera moves alongside or parallel to its subject. Traditionally tracking shots are filmed while the camera is mounted on a track dolly and rolled on dedicated tracks comparable ...
In extreme close-ups, the top of the head is out of the frame, [1] but the concept of headroom still applies via the rule of thirds. This also changes when one is shooting an extreme wide-shot. The subject can still be placed correctly for rule of thirds, but have a significant amount of space between his/her head and the top from frame.
An extreme wide shot in the trailer to the 1963 film Cleopatra gives an expansive view of the set.. In photography, filmmaking and video production, a wide shot (sometimes referred to as a full shot or long shot) is a shot that typically shows the entire object or human figure and is usually intended to place it in some relation to its surroundings. [1]