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The Jazz Chorus is one of the most famous and successful combo amplifiers from its period and its earliest users included Albert King, Andy Summers (), Chuck Hammer (), Larry Coryell, Robert Smith (of The Cure, although he used the rarer 160 Watt JC-160 with 4 x 10" speakers), Billy Duffy (The Cult, Theatre of Hate), Roger Hodgson of Supertramp, Joe Strummer, John Sebastian of The Lovin ...
It is a division of the Roland Corporation, a Japanese manufacturer that specializes in musical equipment and accessories. For many years Boss has manufactured a wide range of products related to effects processing for guitars, including "compact" and "twin" effects pedals, multi-effect pedals, electronic tuners and pedal boards.
Marr's love of the Fender sound continues to this day with his Deluxe Reverb. He has used other amps, including the Roland JC-120, Vox AC30, Mesa Boogie and Marshall cabinets. [114] Marr typically uses Boss effects units, notably that company's CE-2 chorus effect, the TW-1 touch wah wah pedal, and the OD-2 overdrive pedal. [115]
The company was also manufacturing effects pedals, introducing the RE-201 Space Echo in 1974, and expanding into guitar amplifiers the following year with the JC-60 and JC-120 Jazz Chorus, whose chorus circuit would become the first Boss Corporation product, the CE-1 Chorus Ensemble, the following year.
With the advent of MIDI in 1983, computers and digital devices took over the production of sound effects from analog devices. [18] Tape loop compositions have seen only sporadic revivals since, such as William Basinski's The Disintegration Loops series (2002–2003), evidencing the slow death of his tapes originally recorded in the 1980s. [19]
Today's Wordle Answer for #1264 on Wednesday, December 4, 2024. Today's Wordle answer on Wednesday, December 4, 2024, is CRYPT. How'd you do? Next: Catch up on other Wordle answers from this week.
A post-fader output is used in order to prevent channels whose faders are at zero gain from "contaminating" the effects-return loop with hiss and hum. Mixing consoles most commonly have a group of aux-send knobs in each channel strip, or, on small mixers, a single aux-send knob per channel, where one knob corresponds to each aux-send on the board.
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related to: roland jc-40 effects loop