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Since the end of World War II, there has been a surge in the number of Cajun accordion makers in Louisiana, as well as several in Texas. [6] While early-postwar accordion builders had to rely on parts salvaged from older accordions and Hohners, since about 1980 builders tend to use fine imported bellows, reeds, and woods. [2]
With good new accordions in short supply, Brown began experimenting with accordion making, eventually producing high-quality, hand-made instruments. He started by making replacement parts and later used the German model to begin making whole accordions. He would cannibalize the German accordions for reeds, bellows and parts he could not make. [9]
He was also one of the founders of the Cajun French Music Association. Miller retired from building accordions full-time in 2006. His grandson Jay continues to build accordions under the brand "Bon Cajun." [1] [2] In 2003, he estimated he built approximately 85 accordions and repaired 200 – 250 accordions each year. [1]
Joe Hall was an American accordionist and vocalist who performed Creole la la, Cajun, and zydeco music. He passed away on November 21, 2024. Hall was born in Eunice, Louisiana, on December 15, 1971. [1]
Savoy acquired a Sidney Brown accordion as a teenager, and within a few years was interested in making his own. [4] After earning a degree in chemical engineering, [5] in 1966 he went into business full-time as an accordion maker and player, based at his Savoy Music Center in Eunice.
How many reeds an accordion has is specified by the number of treble ranks and bass ranks. For example, a 4/5 accordion has four reeds on the treble side and five on the bass side. A 3/4 accordion has three reeds on the treble sides and four on the bass side. Reed ranks are classified by either organ 'foot-length' stops or instrument names ...
In the late 19th century, affordable accordions were introduced into Louisiana and were adopted by both Cajun and Creole musicians. Cajun and Creole musical styles at this time grew in parallel: mostly two-steps and waltzes meant for dancing, played by accordion and fiddle. [2] Joe Falcon's last accordion, a pre-WWII German "Eagle" brand
Both his accordion playing and vocals have been stylistically influential in Cajun music and zydeco. [ 6 ] Along with bandmates like Dennis McGee, Ardoin "crossed the musical color line" in the Jim Crow South , earning the admiration of listeners of both races and creating temporary social spaces where cultural interchange could take place. [ 11 ]
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