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Because, you come to me, with naught save love, and hold my hand and lift mine eyes above, a wider world of hope and joy I see, because you come to me! Because you speak to me in accent sweet, I find the roses waking 'round my feet, and I am led through tears and joy to thee, because you speak to me! Because God made thee mine, I'll cherish thee!
"Ripple" has a similar melody to the gospel hymn "Because He Lives," which was published a year later. [4] Both songs are similar to " Any Dream Will Do " from the Andrew Lloyd Webber - Tim Rice musical Joseph and the Amazing Technicolor Dreamcoat , which was first performed in 1968, and recorded in 1969.
The hymn discusses the experience of Christian believers that Jesus Christ lives within their hearts, which is scriptural in the Word of God: “I am crucified with Christ; and it is no longer I who live, but it is Christ who lives in me.”—Galatians 2:20, and “That Christ may make His home in your hearts through faith.”—Ephesians 3:17 ...
"Glorious Day (Living He Loved Me)" is a song performed by contemporary Christian band Casting Crowns from their 2009 album Until the Whole World Hears. While the music was composed by the band, the lyrics come from the hymn "One Day", written in 1910 by John Wilbur Chapman during the second summer conference of the Stony Brook Assembly in ...
"He" is a song about God, written in 1954. The song made the popular music charts the following year. The music was written by Jack Richards, with lyrics by Richard Mullan. The song was originally published by Avas Music Publishing, Inc.
At the 2022 GMA Dove Awards, "House of the Lord" was nominated for the GMA Dove Awards for Song of the Year and Pop/Contemporary Song of the Year. [4] "Hymn of Heaven" was released as the third single from the album on February 11, 2022. [13] "Hymn of Heaven" peaked at No. 2 on the Hot Christian Songs chart. [11]
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Paul McCartney had taped a demo of "Tomorrow" before he and Linda began recording their album Ram in New York City in late 1970. [2] The song is a piano ballad and ends with a gospel-style coda, [3] which is played at a slower tempo than the main portion. [4] The composition is in the key of D major. [5]