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Judith Beheading Holofernes is a painting of the biblical episode by Caravaggio, painted in c. 1598–1599 or 1602, [1] in which the widow Judith stayed with the Assyrian general Holofernes in his tent after a banquet then decapitated him after he passed out drunk. [2]
Judith slaying Holofernes by Artemisia Gentileschi, 1614–18. The account of the beheading of Holofernes by Judith is given in the deuterocanonical Book of Judith, and is the subject of many paintings and sculptures from the Renaissance and Baroque periods.
When Caravaggio left Naples on 14 June 1607, he left two paintings - the Madonna of the Rosary and Judith beheading Holofernes - in the studio in Naples that was shared by Louis Finson and his partner, the Flemish painter Abraham Vinck. Vinck likely took the two paintings with him when he moved to Amsterdam around 1609.
Toledo, Cathedral Museum: 169 × 112 cm Oil on canvas: Disputed: c. 1598: Martha and Mary Magdalene: Detroit, Detroit Institute of Arts: 97.8 × 132.7 cm Oil on canvas: c. 1598: Portrait of Maffeo Barberini: Los Angeles, Private Collection 124 × 99 cm Oil on canvas: c. 1598: Judith Beheading Holofernes: Rome, Galleria Nazionale d'Arte Antica ...
Judith and her Maidservant with the Head of Holofernes; Judith and Holofernes (Goya) Judith and Holofernes (Boulogne) Judith and Holofernes (Preti) Judith and the Head of Holofernes; Judith at the Gates of Bethulia; Judith Beheading Holofernes (Caravaggio) Judith Beheading Holofernes (Finson or Caravaggio) Judith Beheading Holofernes (Finson ...
Caravaggio: Judith Beheading Holofernes ; Artist: Caravaggio (1571–1610) Alternative names: Michelangelo Merisi da Caravaggio, Birth name: Michelangelo Merisi
Judith beheading Holofernes has been depicted by a number of artists including Giorgione, Titian, Rembrandt, Peter Paul Rubens and Caravaggio. Caravaggio's Judith Beheading Holofernes is believed to be the main inspiration of Gentileschi's work, [12] and his influence shows in the naturalism and violence she brings to her canvas. [citation needed]
Judith Beheading Holofernes, 1599–1602, Galleria Nazionale d'Arte Antica, Rome. His first version of Saint Matthew and the Angel, featuring the saint as a bald peasant with dirty legs attended by a lightly clad over-familiar boy-angel, was rejected and a second version had to be painted as The Inspiration of Saint Matthew.