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2003 – Songs for the Inner Lover (with Miten) 2004 – More Than Music (with Miten) 2005 – Dakshina; 2005 – Live in Byron Bay (with Miten) 2007 – Sings the Moola Mantra; 2007 – Soul in Wonder (with Miten and Manose) 2008 – Into Silence; 2009 – In Concert – The Yoga of Sacred Song and Chant (with Miten and Manose)
Dakshinamurti Gayatri Mantra. Om Vṛṣabhadhvajaya Vidmahe Dhyānahastaya Dhīmahi Tanno Dakṣiṇāmūrti Pracodayat. The Dakshinamurti Stotra by Adi Shankara is a laudatory hymn dedicated to this form of Shiva. oṃ maunavyākhyā prakaṭita parabrahmatatvaṃ yuvānaṃ varśiṣṭhānte vasad ṛṣigaṇair āvṛtaṃ ...
They are typically in a slower speed (chowka kala). He is also known by his signature name of Guruguha which is also his mudra (and can be found in each of his songs). [1] His compositions are widely sung and played in classical concerts of Carnatic music. Muthuswami Dikshitar composed many kritis in groups.
Diksha (Sanskrit: दीक्षा, IAST: dīkṣā) also spelled diksa, deeksha or deeksa in common usage, translated as a "preparation or consecration for a religious ceremony", [1] is giving of a mantra or an initiation by the guru (in Guru–shishya tradition) of Indian religions such as Hinduism, Buddhism, and Jainism.
The Gayatri mantra is Hinduism's most representative prayer. Many Hindus recite it on a daily basis, not only contemplating its straightforward meaning, but also dwelling on and imbibing its sound, regarded to be pregnant with spiritual meaning. For this reason nearly all Hindu prayers and mantras are sung.
Layā is the tempo or speed of a song. Carnatic music does not define a fixed layā to songs, but traditionally some songs have been sung fast or slow and hence are categorised that way. Typical classification of layā includes Vilambitha (delayed or slow), Madhyama (medium) and Dhuritha (fast).
A mantra (Pali: mantra) or mantram (Devanagari: मन्त्रम्) [1] is a sacred utterance, a numinous sound, a syllable, word or phonemes, or group of words (most often in an Indo-Iranian language like Sanskrit or Avestan) believed by practitioners to have religious, magical or spiritual powers.
The translation and meaning of the Mantra can be understood when the context in which the Mantra is quoted in the Upanishad is known. Prior understanding of Vedanta is essential for translation and explanation of these Mantra. The Brihadaranyaka Upanishad explains Consciousness and it in this context that this Shanti Mantra needs to be understood.