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The pipa, pípá, or p'i-p'a (Chinese: 琵琶) is a traditional Chinese musical instrument belonging to the plucked category of instruments.Sometimes called the "Chinese lute", the instrument has a pear-shaped wooden body with a varying number of frets ranging from 12 to 31.
Traditionally, the instrument is plucked with one's fingernails—as is the case in the south of China—or with two hard and thin plectrums made from animal horn that are tied to the thumb and index finger; however, today players also use plastic pipa plectrums on all five fingers of the right hand. [7] The usage of fingernails, or pipa ...
The instrument has twenty-three 800 mm (31 in)-long wire strings attached to a bamboo tube with a metal hose-clamp around the top rim. A 4 litres (0.88 imp gal; 1.1 US gal), rectangular olive oil tin, which acts as a resonator, is clamped to the base of the tube. The instrument is capable of playing both Vietnamese and Western music.
Lutes are stringed musical instruments that include a body and "a neck which serves both as a handle and as a means of stretching the strings beyond the body". [1]The lute family includes not only short-necked plucked lutes such as the lute, oud, pipa, guitar, citole, gittern, mandore, rubab, and gambus and long-necked plucked lutes such as banjo, tanbura, bağlama, bouzouki, veena, theorbo ...
Pipa. This instrument appeared two thousand years ago. Pipa is a general name. Playing the instruments with the hand forward or backward controls whether the sound is pi or pa. [3] In Tang dynasty, pipa was popular in the palace. Emperors as well as ordinary families all played pipa in daily life. Many paintings of that time show the pipa.
The other reference to the liuqin is the tu pipa (土琵琶), literally meaning unrefined pipa, because of the aforementioned diminutive size and resemblance of the liuqin to the pipa. Throughout its history, the liuqin came in variations ranging from two (which only had a range of one and a half octaves) to four strings.
Wu Man (Chinese: 吴 蛮; pinyin: Wú Mán; born January 2, 1963) [1] is a Chinese pipa player and composer. Trained in Pudong-style pipa performance at the Central Conservatory of Music in Beijing, she is known for playing in a broad range of musical styles and introducing the pipa and its Chinese heritage into Western genres.
The default tuning of zhongruan is G 2 D 3 G 3 D 4. [3] It can also be tuned as G 2 D 3 A 3 E 4, or A 2 D 3 D 3 D 4, or other variants, according to requirements in music scores. [4] Since the zhongruan has a rounded, calm and rich tone, it is usually played as a lead instrument in small ensembles and used to accompany other instruments in Chinese orchestra. [5]