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Gnosis is a feminine Greek noun which means "knowledge" or "awareness." [10] It is often used for personal knowledge compared with intellectual knowledge (εἴδειν eídein), as with the French connaître compared with savoir, the Portuguese conhecer compared with saber, the Spanish conocer compared with saber, the Italian conoscere compared with sapere, the German kennen rather than ...
Urabe Kenkō (卜部 兼好, 1283–1350), also known as Yoshida Kenkō (吉田 兼好), or simply Kenkō (兼好), was a Japanese author and Buddhist monk. His most famous work is Tsurezuregusa (Essays in Idleness), [1] one of the most studied works of medieval Japanese literature. Kenko wrote during the early Muromachi and late Kamakura periods.
In Praise of Shadows (陰翳礼讃, In'ei Raisan) is a 1933 essay on Japanese aesthetics by the Japanese author Jun'ichirō Tanizaki. It was translated into English, in 1977, by the academic students of Japanese literature Thomas J. Harper and Edward Seidensticker. A new translation by Gregory Starr was published in 2017.
Seidan (written between 1716 and 1736) Tohi Mondo (1739) Shutsujo Kougo (1744) Shizen Shineido (partially published between 1751 and 1764) Kokuiko (1765) Naobinomitama (1771) Gengo (1775) Sobo Kigen (1788) Uiyamabumi (1799) Shutsujo Shogo (1811) Rangaku Kotohajime (1814) Kyukeidan (1815) Yume no Shiro (1820) Kodo Taii (1824) Tsugi (completed in ...
The classical Japanese language (文語, bungo, "literary language"), also called "old writing" (古文, kobun) and sometimes simply called "Medieval Japanese", is the literary form of the Japanese language that was the standard until the early Shōwa period (1926–1989).
Kagerō Nikki (蜻蛉日記, The Mayfly Diary, commonly referred to as The Gossamer Years) is a work of classical Japanese literature, written around 974, that falls under the genre of nikki bungaku, or diary literature. The author of Kagerō Nikki was a woman known only as the Mother of Michitsuna.
This category represents Japanese texts written in the Edo period (1603-1867). It marks the end of what is known as "classical literature". It marks the end of what is known as "classical literature".
In Japanese poetry, honkadori (本歌取り) is an allusion within a poem to an older poem which would be generally recognized by its potential readers. Honkadori possesses qualities of yūgen and ushin (有心) [1] in Japanese art. The concept emerged in the 12th century during the Kamakura period.