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The Joe Pass Epiphone Emperor II is an archtop guitar, like a 175, but with certain unique features which included: [1] Gold-plated hardware; Multiple bound body (top and back), neck, f-holes, and peghead; Laminated spruce top; Maple laminate, hollow body (figured maple veneer) Dual humbuckers; Raised pickguard with facsimile of Joe Pass' signature
Subsequent years brought changes: the pickups became more like Gibson pickups and gained chrome covers, a trapeze tailpiece became available, the "pitchfork" Epiphone logo was added to the pickguard—and, in 1972, the model designation changed to EA-250. In the same period Matsumoku also made a companion short-scale bass, the 5120 / EA-260.
The Crestwood was launched in 1958 by Epiphone. The guitar was a double cutaway solid-body construction in mahogany with dual New Yorker pickups, three-on-a-side headstock and a pickguard with the Epiphone logo. In late 1959 the guitar was renamed the Crestwood Custom and the body's edges were rounded off and the pickguard got a different design.
Guitar; Serial no. Epiphone Special II, SJ07060345, Epiphone, appears humbucker pick ups, chrome tone hardware, acrylic knobs, measures 13w x 1.5d x 39h, comes with soft gig bag; Amp; Epiphone, measures 11w x 4.75d x 11.5, shallow for space constraints, a studio 10S, 19 watts, serial no. BC07073310, small kick stand at the back to tilt up
Epiphone produces a similar guitar as the Tony Iommi G-400. [13] Iommi's original SG (used on the early Sabbath albums) was a modified cherry red, left-handed 1964 SG Special with P-90 pickups which he nicknamed "Monkey" after he added a sticker of a monkey playing a fiddle to the guitar.
At the same time of the Melody Maker, Gibson's sister brand Epiphone made a version of the guitar named the Olympic. Initially virtually identical to the double cut Melody Makers, these guitars eventually developed an asymmetrical body with a slightly larger upper horn with the Olympic Special, and a higher-end model which shared a body with the later Epiphone Coronet, Wilshire, and Crestwoods ...
1958 Epiphone Sheraton introduction specs: Thin body, double cutaway, semi-hollow with solid maple block down center; two Epiphone "New York" single coil pickups; two volume and two tone controls with white 'carousel' knobs, and a pickup selector switch; tune-o-matic bridge with no retainer wire; gold plated metal parts; Frequensator tailpiece ...
The Epiphone Special Run Thunderbird-IV limited edition silverburst is also an Epiphone alternative to the Gibson model with a maple neck and rosewood fretboard bolted onto a mahogany body (as opposed to the standard Epiphone alder body) which gives it a much closer tonality to the Gibson Thunderbirds, which use mahogany as a major wood in the ...
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