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Oldboy is a 2013 American neo-noir action thriller film directed by Spike Lee, written by Mark Protosevich, and starring Josh Brolin, Elizabeth Olsen, and Sharlto Copley.It is a remake of the 2003 South Korean film of the same name, which itself is loosely based on the Japanese manga of the same name.
Pages in category "Old Boy" ... Oldboy (2003 film) Oldboy (2013 film) Z. Zinda (film) This page was last edited on 11 July 2023, at 11:47 (UTC) ...
Old boy network, social and business connections among former pupils of top male-only schools; A cadet who has attended St. John's Military School; Films. Oldboy, South Korean film based on the manga, directed by Park Chan-wook; Oldboy, American remake of the 2003 South Korean film, directed by Spike Lee
He began his film career as an executive producer for Oldboy (2013) before executive producing the A&E television series, Bates Motel (2013), and co-producing The Lego Movie (2014). [1] Middleton's production company, The Affleck/Middleton Project, produced the film Manchester by the Sea (2016), which was nominated for six Oscars, including ...
Opening Title Production company Cast and crew Ref. J A N U A R Y 4: A Dark Truth: Magnolia Pictures: Damian Lee (director/screenwriter); Andy García, Kim Coates, Deborah Kara Unger, Alec Rayme, David Anders, Henry Kingi, Eva Longoria, Forest Whitaker, Devon Bostick, Steven Bauer, Al Sapienza, Kevin Durand, Jim Calarco, Millie Davis
Old Boy (Japanese: オールド・ボーイ, Hepburn: Ōrudo Bōi) is a Japanese manga series written by Garon Tsuchiya and illustrated by Nobuaki Minegishi. The narrative follows the protagonist Shinichi Gotō, a man who, after a decade of incarceration in a private prison, is suddenly freed.
Oldboy (Korean: 올드보이; RR: Oldeuboi; MR: Oldŭboi) is a 2003 South Korean action-thriller film [4] [5] directed and co-written by Park Chan-wook.A loose adaptation of the Japanese manga of the same name, the film follows the story of Oh Dae-su (Choi Min-sik), who is imprisoned in a cell resembling a hotel room for 15 years without knowing the identity of his captor or his captor's motives.
The 2013 crop comprises an unplanned, if not accidental, collective declaration of the essence of the cinema, an art of images and sounds that, at their best, don't exist to tell a story or to tantalize the audience (though they may well do so) but, rather, to reflect a crisis in the life of the filmmaker and the state of the artist's mind or ...