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Art film directors make up for these constraints by creating a different type of film, one that typically uses lesser-known film actors or even amateur actors, and modest sets to make films that focus much more on developing ideas, exploring new narrative techniques, and attempting new film-making conventions.
Querelle is a 1982 English-language arthouse film directed by Rainer Werner Fassbinder. The film stars Brad Davis and was adapted from French author Jean Genet's 1947 novel Querelle of Brest. The plot centers on the Belgian sailor Georges Querelle, who is both a thief and murderer. It was Fassbinder's last film, released shortly after his death ...
The film magazine Variety has, for example, used the term "faux found-footage film" to describe some titles. Film scholar David Bordwell criticizes this recent usage, arguing that it sows confusion, and instead prefers the term "discovered footage" for the narrative gimmick. [1]
In his 1969 article "Structural Film", film historian P. Adams Sitney identifies a shift within avant-garde cinema away from complex forms and toward "a cinema of structure wherein the shape of the whole film is predetermined and simplified, and it is that shape which is the primal impression of the film."
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Art History is a 2011 American drama film directed by Joe Swanberg, written by Swanberg, Josephine Decker, and Kent Osborne. It stars Decker, Swanberg, Osborne, Adam Wingard, and Kris Swanberg as filmmakers whose lives are complicated by a graphic sex scene in an arthouse film.
CinemaSavannah director Tomasz Warchol pens a piece explaining why Savannah needs an arthouse movie theater to become an arts destination.
A movie that centres on people attending an artistic/sexual salon was a likely contender to feature unsimulated sex and Shortbus does, but director John Cameron Mitchell had a reason for including it.
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