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Is 5 by E. E. Cummings, an example of free verse. Free verse is an open form of poetry which does not use a prescribed or regular meter or rhyme [1] and tends to follow the rhythm of natural or irregular speech. Free verse encompasses a large range of poetic form, and the distinction between free verse and other forms (such as prose) is often ...
Also apophthegm. A terse, pithy saying, akin to a proverb, maxim, or aphorism. aposiopesis A rhetorical device in which speech is broken off abruptly and the sentence is left unfinished. apostrophe A figure of speech in which a speaker breaks off from addressing the audience (e.g., in a play) and directs speech to a third party such as an opposing litigant or some other individual, sometimes ...
A metrical foot (aka poetic foot) is the basic repeating rhythmic unit that forms part of a line of verse in most Indo-European traditions of poetry.. In some metres (such as the iambic trimeter) the lines are divided into double feet, called metra (singular: metron).
Poetry analysis is the process of investigating ... a poet using free verse ... Whitman uses synonyms and antonyms to give structural integrity to a poem comprising ...
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A thesaurus (pl.: thesauri or thesauruses), sometimes called a synonym dictionary or dictionary of synonyms, is a reference work which arranges words by their meanings (or in simpler terms, a book where one can find different words with similar meanings to other words), [1] [2] sometimes as a hierarchy of broader and narrower terms, sometimes simply as lists of synonyms and antonyms.
In English-language poetry, especially serious verse, masculine rhymes comprise a majority of all rhymes. [citation needed] John Donne's poem "Lecture Upon the Shadow" is one of many that use exclusively masculine rhyme: Stand still, and I will read to thee A lecture, love, in Love's philosophy. These three hours that we have spent
The formal innovations of Modernist poetry, inspired by Walt Whitman and popularized by Ezra Pound, Edgar Lee Masters, and T.S. Eliot, led to the widespread publication of free verse during the early 20th century. By the 1920s, debates about the value of free verse versus formal poetry were filling the pages of American literary journals. [2]