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The Tao or Dao [note 1] is the natural way of the universe, ... Finding the Tao and Buddha-nature is not simply a matter of formulations, ...
The Nature of the Beast (European title: Bad Company, UK title: Hatchet Man) is a 1995 American direct-to-video mystery horror film written and directed by Victor Salva and starring Eric Roberts and Lance Henriksen.
'Tao school') also known as Taology refers to the various philosophical currents of Taoism, a tradition of Chinese origin which emphasizes living in harmony with the Dào (Chinese: 道; lit. 'the Way', also romanized as Tao). The Dào is a mysterious and deep principle that is the source, pattern and substance of the entire universe. [1] [2]
Ziran has been interpreted and reinterpreted in a numerous ways over time. Most commonly, it has been seen as the greatest spiritual concept that was followed by lesser concepts of the Dao, Heaven, Earth, and Man in turn, based on the traditional translation and interpretation of Chapter 25 of the Tao Te Ching.
The Tao Te Ching is not organized in any clear fashion and is a collection of different sayings on various themes. [306] The leading themes of the Tao Te Ching revolve around the nature of Tao, how to attain it and De, the inner power of Tao, as well as the idea of wei wu-wei.
Within the context of traditional Chinese philosophy and religion, Dao is a metaphysical concept originating with Laozi that gave rise to a religion (in Wade–Giles: Tao Chiao; in Pinyin: Daojiao) and philosophy (in Wade–Giles: Tao chia; in Pinyin: Daojia) referred to in English with the single term Daoism (aka Taoism).
The Tao Te Ching describes the Tao as the source and ideal of all existence: it is unseen, but not transcendent, immensely powerful yet supremely humble, being the root of all things. People have desires and free will (and thus are able to alter their own nature). Many act "unnaturally", upsetting the natural balance of the Tao.
The Dao is characterized by motility and reversibility, "reversal is the dao's movement", but reversibility does not end with the first fan reversal, whether it is a return to the root, nature, or the origin. "All reversal is itself further reversible, as the source returns to and moves toward itself repeatedly without finality or a concluding ...