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The Piano Quintet in G minor, JS 159, is a five-movement chamber piece for two violins, viola, cello, and piano [3] written in 1890 by the Finnish composer Jean Sibelius. When composing the piece, Sibelius replaced the original Movement IV (marked Vivace ) with a scherzo ( Vivacissimo ); the earlier Vivace is extant.
A lead sheet A chord chart. Play ⓘ Percussion notation conventions are varied because of the wide range of percussion instruments. Percussion instruments are generally grouped into two categories: pitched (e.g. glockenspiel or tubular bells) and non-pitched (e.g. bass drum and snare drum). The notation of non-pitched percussion instruments is ...
The Phrygian mode (pronounced / ˈ f r ɪ dʒ i ə n /) can refer to three different musical modes: the ancient Greek tonos or harmonia, sometimes called Phrygian, formed on a particular set of octave species or scales; the medieval Phrygian mode, and the modern conception of the Phrygian mode as a diatonic scale, based on the latter.
A guitarist performing a C chord with G bass. In Western music theory, a chord is a group [a] of notes played together for their harmonic consonance or dissonance.The most basic type of chord is a triad, so called because it consists of three distinct notes: the root note along with intervals of a third and a fifth above the root note. [1]
Omitting the third and seventh degrees of the C major scale obtains the notes for another transpositionally equivalent anhemitonic pentatonic scale: F, G, A, C, D. Omitting the first and fourth degrees of the C major scale gives a third anhemitonic pentatonic scale: G, A, B, D, E. The black keys on a piano keyboard comprise a G-flat (or ...
The resulting scale is, however, minor in quality, because, as the D becomes the new tonal centre, the F a minor third above the D becomes the new mediant, or third degree. Thus, when a triad is built upon the tonic, it is a minor triad. The modern Dorian mode is equivalent to the natural minor scale (or the Aeolian mode) but with
It may also appear in inversions of a major seventh chord, and in many added tone chords. Harmonic minor second in J. S. Bach's Prelude in C major from the WTC, book 1, mm. 7–9. The minor second may be viewed as a suspension of the B resolving into the following A minor seventh chord.
Blues seven chords add to the harmonic chord a note with a frequency in a 7:4 ratio to the fundamental note. At a 7:4 ratio, it is not close to any interval on the conventional Western diatonic scale. [32] For convenience or by necessity it is often approximated by a minor seventh interval or a dominant seventh chord. A minor pentatonic scale ...
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