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"Calling All Angels" is a song by American rock band Train. It was included on the band's third studio album, My Private Nation, and produced by Brendan O'Brien.On April 14, 2003, the song was the first single to be released from My Private Nation, peaking at number 19 on the US Billboard Hot 100 and topping three other Billboard charts: the Adult Contemporary, Adult Top 40, and Triple-A listings.
"Calling All Angels" is a song by the Canadian singer-songwriter Jane Siberry. It was featured on the soundtrack for Wim Wenders 1991 film, Until the End of the World , and in the final scene and on the soundtrack for the film Pay It Forward .
Calling All Angels may refer to: "Calling All Angels" (Train song), a 2003 song by American rock group, Train. "Calling All Angels" (Jane Siberry song), a 1991 song featured on the soundtracks of the films Until the End of the World (1991) and Pay It Forward (2000) "Calling All Angels" (Lenny Kravitz song), 2004
"Calling All Angels" is the fourth single produced, written, arranged and performed by Lenny Kravitz from his album Baptism, released on 2004. Live performances
Calling All Angels" became an unofficial anthem of the Los Angeles Angels baseball team: it was played at Angel Stadium before every game during the 2010 season, while the video screen showed a montage of the team's history. [95] "Calling All Angels" was featured at the ending montage of the TV series One Tree Hill episode "Life in a Glass ...
Four singles were released from this album. The first, "Calling All Angels", was a top 20 hit on the Billboard Hot 100, peaking at #19, and was a huge success on the Adult Contemporary and Adult Top 40 charts. Second single "When I Look to the Sky" also hit the Top 100 and was successful in Adult Top 40 and the Adult Contemporary chart as well
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The lyrics are about the death of musician Jonathan Melvoin (1961–1996) from a heroin overdose, [1] as McLachlan explained on VH1 Storytellers. It is sometimes mistitled as "In the Arms of an Angel" [2] or "Arms of the Angel". "Angel" was McLachlan's second consecutive top-five hit on the US Billboard Hot 100, peaking at number four.