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"The Knight's Tale" (Middle English: The Knightes Tale) is the first tale from Geoffrey Chaucer's The Canterbury Tales. The Knight is described by Chaucer in the " General Prologue " as the person of highest social standing amongst the pilgrims, though his manners and clothes are unpretentious.
The Knight's Tale shows how the brotherly love of two fellow knights turns into a deadly feud at the sight of a woman whom both idealise. To win her, both are willing to fight to the death. Chivalry was on the decline in Chaucer's day, and it is possible that The Knight's Tale was intended to show its flaws, although this is disputed. [52]
Chaucer worked, in part, from a translation of the Consolation into French by Jean de Meun but is clear he also worked from a Latin version, correcting some of the liberties de Meun takes with the text. The Latin source was probably a corrupt version of Boethius' original, which explains some of Chaucer's own misinterpretations of the work.
Palamon and Arcite is a translation of The Knight's Tale from The Canterbury Tales by Geoffrey Chaucer. Although the plot line is identical, Dryden expanded the original text with poetic embellishments. The source of Chaucer's tale was Boccaccio's Teseida. Translations include those by Percival Ashley Chubb (1899) [1] and Walter William Skeat ...
Owing to the quality of its decoration and illustrations, Ellesmere is the most frequently reproduced Chaucer manuscript. [1]: 59 In order of appearance in the Ellesmere Chaucer (note that not all storytellers have an illumination): [6] Knight (fol. 10r) Miller (fol. 34v) Reeve (fol. 42r) Cook (fol. 47r) Man of Law (fol. 50v) Wife of Bath (fol ...
The Canterbury Tales is a collection of stories, mostly in verse, written by Geoffrey Chaucer chiefly from 1387 to 1400. They are held together in a frame story of a pilgrimage on which each member of the group is to tell two tales on the way to Canterbury, and two on the way back.
Chaucer's influence on 15th-century Scottish literature began towards the beginning of the century with King James I of Scotland. This first phase of Scottish "Chaucerianism" was followed by a second phase, comprising the works of Robert Henryson , William Dunbar , and Gavin Douglas .
Chaucer first used the rhyme royal stanza in his long poems Troilus and Criseyde and the Parlement of Foules, written in the later fourteenth century.He also used it for four of the Canterbury Tales: the Man of Law's Tale, the Prioress' Tale, the Clerk's Tale, and the Second Nun's Tale, and in a number of shorter lyrics.