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"Trouble in Mind" is a vaudeville blues-style song written by jazz pianist Richard M. Jones. Singer Thelma La Vizzo with Jones on piano first recorded it in 1924 and in 1926, Bertha "Chippie" Hill popularized the tune with her recording with Jones and trumpeter Louis Armstrong.
"Reconsider Baby" is a blues standard and Fulson's most recognized song. [1] In 1993, the Blues Foundation inducted it into its Blues Hall of Fame in the "Classics of Blues Recordings" category. [1] The Rock and Roll Hall of Fame included it on its list of the "500 Songs that Shaped Rock and Roll". [5]
"Mean Old World" is a blues song recorded by American blues electric guitar musician T-Bone Walker in 1942. [1] It has been described (along with the single's B-side) as "the first important blues recordings on the electric guitar". [2] Over the years it has been interpreted and recorded by numerous blues, jazz and rock and roll artists.
The book notes that "An eighteen-year-old black girl, in prison for murder, sang the song and the first stanza of these blues." The Lomaxes then added a number of verses from other sources and named it "Woman Blue". [2] The music and melody are similar to Lucille Bogan's "B.D. Woman Blues" (c. 1935), although the lyrics are completely different.
"All Your Love" is a moderate-tempo minor-key twelve-bar blues with Afro-Cuban rhythmic influences. An impromptu song "apparently dashed off ... in the car en route to Cobra's West Roosevelt Road studios", [2] it borrows guitar lines and the arrangement from "Lucky Lou", a 1957 instrumental single by blues guitarist Jody Williams. [3]
"Too Many Drivers" is a blues song recorded by Big Bill Broonzy in 1939. It is performed in an acoustic ensemble-style of early Chicago blues and the lyrics use double entendre often found in hokum-style blues songs. The song has been identified as one of Broonzy's more popular tunes and has been recorded over the years by a variety of artists ...
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Many blues songs were developed in American folk music traditions and individual songwriters are sometimes unidentified. [1] Blues historian Gerard Herzhaft noted: In the case of very old blues songs, there is the constant recourse to oral tradition that conveyed the tune and even the song itself while at the same time evolving for several decades.