Search results
Results from the WOW.Com Content Network
Main page; Contents; Current events; Random article; About Wikipedia; Contact us; Pages for logged out editors learn more
In contemporary usage, parody is a form of satire that imitates another work of art in order to ridicule it. Parody exists in all art media, including literature , music and cinema . Subcategories
A pastiche combining elements of paintings by Pollaiuolo and Botticelli (Portrait of a Woman and Portrait of a Young Woman [it; fr; es] respectively), using Photoshop. A pastiche (/ p æ ˈ s t iː ʃ, p ɑː-/) [1] [2] is a work of visual art, literature, theatre, music, or architecture that imitates the style or character of the work of one or more other artists. [3]
A parody is a creative work designed to imitate, comment on, and/or mock its subject by means of satirical or ironic imitation.Often its subject is an original work or some aspect of it (theme/content, author, style, etc), but a parody can also be about a real-life person (e.g. a politician), event, or movement (e.g. the French Revolution or 1960s counterculture).
Saturday Night Live has parodied U.S. presidents and other politicians since the show started in 1975. The numerous sketches on Clinton are often inspired by aspects of his presidency, the Lewinsky scandal, and his relationship with his wife, herself a frequent subject in SNL's political sketches.
According to a Lorne Michaels interview for the book Live from New York, "The only note we got from the network on the first show was 'Cut the bees.' And so I made sure I put them in the next show." The bees were played by all the repertory players at the time, who wore yellow and black horizontal stripes, wings, and springy antennas.
Rejected Addresses was an 1812 book of parodies by the brothers James and Horace Smith. In the line of 18th-century pastiches focussed on a single subject in the style of poets of the time, it contained twenty-one good-natured pastiches of contemporary authors. The book's popular success set the fashion for a number of later works of the same kind.
It contains Wondermark episodes 1–100 and also includes many pages of ancillary material, such as rejected concept pieces and reader-participation features. The book has since been revised twice. The second edition added an introduction by Dave Sim, while the third edition featured remastered artwork and an introduction by Ryan North.