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The Heartbeats began as a quartet in early 1953 in Jamaica, Queens as "The Hearts", consisting of baritone Vernon Sievers, bass Wally Roker, first tenor Albert Crump, and second tenor Robbie Tatum.
The Cadets were an American doo-wop group, formed in Los Angeles, California, United States. [1] The group began as a gospel group, the Santa Monica Soul Seekers, in the late 1940s. [ 2 ] The members were Lloyd McCraw, Willie Davis, Austin "Ted" Taylor , Aaron Collins , Glendon Kingsby, and Will "Dub" Jones . [ 2 ]
The Willows were an American doo-wop group formed in Harlem, New York, in 1952.The group was an influential musical act that performed into the mid-1960s and had a Top 20 R&B hit with "Church Bells May Ring", a song which was covered with greater commercial success by The Diamonds.
Doo-wop (also spelled doowop and doo wop) is a subgenre of rhythm and blues music that originated in African-American communities during the 1940s, [2] mainly in the large cities of the United States, including New York, Philadelphia, Pittsburgh, Chicago, Baltimore, Newark, Detroit, Washington, D.C., and Los Angeles.
Christian Waldemar "Wally" Roker (April 14, 1937 – December 2, 2015) was an American vocal group singer, best known as a member of The Heartbeats and sometimes called "The Godfather of Doo-Wop". He helped establish Scepter Records, worked in promotion and management for several other record labels, and helped set up the Doo-Wop Hall of Fame.
Two members of the Puerto Rican doo-wop group The Eternals, popular in the late 1950s with Billboard chart hit, talk of the group's contributions to the genre.
The Silhouettes were formed in Philadelphia, Pennsylvania, United States, in 1956, at first using the name The Thunderbirds. [1] Their classic hit "Get a Job" – originally the B-side to "I Am Lonely" – was issued by their manager, Kae Williams, on his own Junior Records label [1] before being sold to the nationally distributed Ember label in late 1957. [4]
James "Jay" Johnson established himself as one of the top bass-baritone singers in the Detroit doo-wop and soul music scene during the pre-Motown years. He was a member of the Detroit group Nolan Strong & The Diablos and can be heard on the group's Fortune Records recordings from late 1956 on.