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The Acta Pilati or Acts of Pilate is a Christian text that records Jesus's trial, execution, and resurrection and expands upon the details given from the gospels. It is by far the most popular and well-read of Pilate-related apocrypha, being compiled in the Gospel of Nicodemus (Evangelium Nicodemi) in the 9th century, which was a popular work among medieval European Christians.
This statement by Pilate that Herod found no fault in Jesus is the second of the three declarations he makes about the innocence of Jesus in Luke's Gospel, (the first being in 23:4 and the third in 23:22) and builds on the "Christology of innocence" present in that Gospel.
A 9th- or 10th-century manuscript of the Gospel of Nicodemus in Latin. The Gospel of Nicodemus, also known as the Acts of Pilate [1] (Latin: Acta Pilati; Ancient Greek: Πράξεις Πιλάτου, romanized: Praxeis Pilatou), is an apocryphal gospel purporting to derived from an original work written by Nicodemus, who appears in the Gospel of John as an acquaintance of Jesus.
The Gospel of Mark uses the word aulē ("hall", "palace") to identify the praetorium. [4] Fearing defilement, the Sanhedrin elders did not enter the court, and Pilate's discussion with them occurred outside the praetorium. [4] Outside the praetorium proper, there was an area called the Pavement. [5]
Sources on Pontius Pilate are limited, although modern scholars know more about him than about other Roman governors of Judaea. [14] The most important sources are the Embassy to Gaius (after the year 41) by contemporary Jewish writer Philo of Alexandria, [15] the Jewish Wars (c. 74) and Antiquities of the Jews (c. 94) by the Jewish historian Josephus, as well as the four canonical Christian ...
They are all written in vigorous alliterative verse as are other plays in the cycle. The distinctive feature, apart from the high quality of the writing, is the attention to incidental detail in the story-telling and in the subtle portrayal of the negative characters: Pilate, Herod, Annas and Caiaphas.
Though Fletcher achieved significant notice in the entertainment industry for his choreography, he is best known in the 21st century for having introduced the Pilates conditioning method, from its home base in New York City, to the American west coast via his Ron Fletcher Studio for Body Contrology, which he opened May 1, 1972 on Rodeo Drive at Wilshire Boulevard in Beverly Hills, California.
The plays of the N-Town cycle vary from simple, almost liturgical, recitations of Biblical texts (as in the Moses play of the Ten Commandments, the Jesse play with its kings and prophets, and the Pentecost play) to highly complex and fast moving short dramas on Biblical themes that have a naturalism and liveliness (as in the Death of Herod and ...