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All of the sound-generating features come together in a mixer allowing the levels for the two monophonic tone sources, noise, bell tone, and polyphony to be adjusted independently. The multiple notes of polyphony feed into the single filter, giving a paraphonic result. In 1982–3, few electronic musical instruments had the MG-1 combination of ...
Korg TR-Rack: The TR-Rack is a 1U rack module version of the Korg Trinity. It lacks any expansion slots, but has a larger internal sample ROM than the original Trinity. Korg N5: The N5 was introduced as a keyboard version of the Korg NS5R sound module [31] without expansion slot.
A 19-inch rack holding several professional audio devices including an 8×8 matrix mixer at the bottom, made by Midas Consoles. The matrix mixer has 8 vertical faders to control output level, 8 light gray potentiometers (rotating pots) for input level control, and 64 dark gray pots for matrix mixing. There are also 64 on/off buttons, one for ...
External control MIDI The Kurzweil K2000 is a digital synthesizer and music workstation produced by Kurzweil Music Systems between 1991 and 2000 in a variety of standard configurations, including rack-mountable versions and models that came with 16-bit user sampling.
Example piece of music performed entirely on a Doepfer A-100. The Doepfer A-100 is an analog modular synthesizer system introduced by German audio manufacturer Doepfer in 1995. . Although there were only 10 module types at time of release, [1] it currently has more than 120 modules [2] plus several different enclosures and accessor
Control voltages can either be unipolar or bipolar. Bipolar control voltages are typically 5 V peak-to-peak (i.e. from −2.5 V to +2.5 V), unipolar voltages between 0 V and 8 V. The V/Octave scale is used for pitch information. Trigger, Gate or Clock signals are digital 0 V to 5 V pulses typically used for timing and event signalling.
The Roland JV-1080 (a.k.a. Super JV, Super JV-1080, or simply 1080) is a sample-based synthesizer/sound module in the form of a 2U rack. The JV-1080's synthesizer engine was also used in Roland's XP-50 workstation (1995). Due to its library of high-quality sounds and multi-timbral capabilities, it became a mainstay with film composers.
The master control section on a large live venue or sound recording mixer typically has sub-group faders, master faders, master auxiliary mixing bus level controls and auxiliary return level controls. On most mixers, the master control is a fader. However, on some small mixers, rotary knobs are used instead to save space (and cost).