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Weird Fish may refer to: Weird Fish (clothing brand) "Weird Fishes/Arpeggi", a song by Radiohead from their album In Rainbows; Diversity of fish
The ondes Martenot (/ ˈ oʊ n d m ɑːr t ə ˈ n oʊ / OHND mar-tə-NOH; French: [ɔ̃d maʁtəno], "Martenot waves") or ondes musicales ("musical waves") is an early electronic musical instrument. It is played with a keyboard or by moving a ring along a wire, creating "wavering" sounds similar to a theremin .
Greenwood playing bowed guitar. Greenwood is Radiohead's lead guitarist. [112] He is known for his aggressive playing style. [16] Guitar.com wrote that Greenwood's playing on Radiohead's debut album, Pablo Honey, was an "exhilarating melange of tremolo-picked soundscapes, chunky octaves, screaming high-register runs and killswitch antics". [113]
The special edition of In Rainbows included a second disc, In Rainbows Disk 2, which contains eight additional tracks. [166] Yorke said he felt Disk 2 contained some of Radiohead's best work, such as "Down Is the New Up", but which did not fit the main album. [13] In 2009, Radiohead made Disk 2 available to purchase as a download on their ...
"Weird Fishes/Arpeggi" was also played, as was "Nude", although both of these songs date back to before the 2006 tour. The tour is notable as these versions of the songs were often very different from the eventual In Rainbows incarnations. Radiohead also played the V Festival, as well as gigs throughout Europe, the UK, Canada and the USA.
Radiohead debuted "Cut a Hole" on the King of Limbs tour in 2012. [81] The song builds gradually to a climax, with "menacing" lyrics about a "long-distance connection". [ 81 ] NME described it as "an atmospheric, shifting gloomathon" with a "head-flung-back vocal from Thom, climaxing with some of his highest notes since OK Computer ".
In Rainbows – From the Basement was filmed in one day, with sound by Radiohead's producer, Nigel Godrich, and video direction by David Barnard at the Hospital studio in Covent Garden, London. [4] It was the first episode of the second series of Godrich's series From the Basement .
The song begins with a discordant string harmony, [77] then a strummed D ninth chord acoustic guitar played by Yorke, [78] backed by B ♭ string tunes, creating a dissonant noise that moves between the D major and F ♯ minor chords. [77] O'Brien used guitar reverbs and delay effects, creating a melody that sinks between the A and E chords. [78]