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The anamorphic widescreen format in use today is commonly called 'Scope' (a contraction of the early term CinemaScope), or 2.35:1 (the latter being a misnomer born of old habit; see "Aspect ratio" section below). Filmed in Panavision is a phrase contractually required for films shot using Panavision's anamorphic lenses. All of these phrases ...
There have been a great number of anamorphic format trade names, for reasons of prestige, technology, or vanity. The basic 35 mm anamorphic format originally popularized as CinemaScope has been known by a number of other monikers. In some cases, these names actually refer to different lens designs and technologies implemented; however, the ...
CinemaScope was developed to use a separate film for sound (see Audio below), thus enabling the full silent 1.33:1 aperture to be available for the picture, with a 2:1 anamorphic squeeze applied that would allow an aspect ratio of 2.66:1. When, however, developers found that magnetic stripes could be added to the film to produce a composite ...
Films released in CinemaScope, an anamorphic lens series used, from 1953-present, and less often later, for shooting widescreen films that, crucially, could be screened in theatres using existing equipment, albeit with a lens adapter.
This list of motion picture film formats catalogues formats developed for shooting or viewing motion pictures, ranging from the Chronophotographe format from 1888, to mid-20th century formats such as the 1953 CinemaScope format, to more recent formats such as the 1992 IMAX HD format.
The anamorphic encoding on DVD is related to the anamorphic filming technique (like CinemaScope) only by name. For instance, Star Wars (1977) was filmed in 2.39:1 ratio using an anamorphic camera lens, and shown in theaters using the corresponding projector lens. Since it is a widescreen film, when encoded on a widescreen-format DVD the studio ...
Technirama used 1.5:1 anamorphic curved mirror optics in front of the camera lens (unlike CinemaScope's cylindrical lenses which squeezed the image in a 2:1 ratio). In the laboratory, the 8-perforation horizontal negative would be reduced optically, incorporating a 1.33:1 horizontal squeeze to create normal 4-perforation (vertically running ...
' The Lego Movie) are transferred open matte (a full widescreen image extended with added image above and below; though for The Lego Movie, the transferred open matte used a widescreen image cropped to 16:9 with added image above and below to create a 1.37:1-framed Academy ratio image; this version was created for theaters that do not have the ...
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