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The sonatas stem from a period late in Brahms's life where he discovered the beauty of the sound and tonal colour of the clarinet. [1] The form of the clarinet sonata was largely undeveloped until after the completion of these sonatas, after which the combination of clarinet and piano was more readily used in composers’ new works. [2]
Op. 120, No. 1, also entitled Opus 120, No. 1 or in its German form, Opus 120, Nr. 1, is a 1986 arrangement for clarinet and orchestra of Johannes Brahms's Clarinet Sonata Op. 120, No. 1 by Italian composer Luciano Berio. As with the original Sonata, the soloist in this arrangement can either be a clarinet or a viola.
D. 366 No. 17 for piano solo is the same Ländler as D. 814 No. 1 for piano duet; #17 in Brahms' set is a piano solo arr. of D. 814 No. 1, though markedly different from Schubert's piano solo version D. 366 No. 17; published 1869 A. deest: Christoph Willibald Gluck: Paride ed Elena: Gavotte in A major (arr. by JB) piano 4-hands [4] published 1901
Johannes Brahms: Clarinet Sonata No. 1 (1894) Clarinet Sonata No. 2 (1894) William Henry Hadow: Clarinet Sonata (1897) [5] Max Reger: Clarinet Sonata No. 1 (1900) Clarinet Sonata No. 2 (1900) Clarinet Sonata No. 3 (1909) Donald Francis Tovey: Clarinet Sonata in B-flat major, Op. 16 (1906) [6] Charles Villiers Stanford: Clarinet Sonata, Op. 129 ...
Cello Sonata No. 1 (Brahms) Cello Sonata No. 2 (Brahms) Clarinet Sonatas (Brahms) V. ... This page was last edited on 11 March 2024, ...
Cello Sonata No. 1 (Brahms) Cello Sonata No. 2 (Brahms) Clarinet Quintet (Brahms) Clarinet Sonatas (Brahms) P. ... This page was last edited on 1 February 2016, ...
Op. 1 No. 2 – Violin Sonata in C major; Op. 1 No. 3 – Violin Sonata in B flat major; Op. 1 No. 4 – Violin Sonata in D major; Op. 1 No. 5 – Violin Sonata in G major; Op. 1 No. 6 – Violin Sonata in E minor; Op. 1 No. 7 – Violin Sonata in F major; Op. 1 No. 8 – Violin Sonata in G major; Op.1 No. 9 – Violin Sonata in A major
Brahms' antiquarian interests, his studies of music from the Renaissance to the Classical periods, show in his work — he edited and helped publish a two-chorus motet by Mozart Venite Populi, he had a collection of sonatas by Scarlatti — and in his composition, his motets Op. 74, his interest in the fugue and the passacaglia (outside of organ music such as Josef Rheinberger's Sonata No. 8 ...