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Postmodern art is a body of art movements that sought to contradict some aspects of modernism or some aspects that emerged or developed in its aftermath. In general, movements such as intermedia, installation art, conceptual art and multimedia, particularly involving video are described as postmodern.
Postmodernism: Style and Subversion 1970 –1990 was an exhibition at the Victoria and Albert Museum (V&A) in London, from 24 September 2011 to 15 January 2012.It was billed as "the first in-depth survey of art, design and architecture of the 1970s and 1980s", [1] curated by Glenn Adamson and Jane Pavitt.
The postmodern theological movement interprets Christian theology in light of postmodern theory and various forms of post-Heideggerian thought, using approaches such as poststructuralism, phenomenology, and deconstruction to question fixed interpretations, explore the role of lived experience, and uncover hidden textual assumptions and ...
It refers to new forms of contemporary art and theory that respond to modernism and postmodernism and integrate aspects of both together. Metamodernism reflects an oscillation between, or synthesis of, different "cultural logics" such as modern idealism and postmodern skepticism, modern sincerity and postmodern irony, and other seemingly ...
Post-postmodernism is a wide-ranging set of developments in critical theory, philosophy, architecture, art, literature, and culture which are emerging from and reacting to postmodernism. Periodization
Neo-pop (also known as new pop) is a postmodern art movement that surged in the 1980s and 1990s. It is a resurgent, evolved, and modern version of the ideas of pop art artists from the 50s, capturing some of its commercial ideas and kitsch aspects. However, unlike in pop art, Neo-pop takes inspiration from a wider amount of sources and ...
While the theory of combining multiple arts into one art is quite old, and has been revived periodically, the postmodern manifestation is often in combination with performance art, where the dramatic subtext is removed, and what is left is the specific statements of the artist in question or the conceptual statement of their action.
Appropriation, similar to found object art is "as an artistic strategy, the intentional borrowing, copying, and alteration of preexisting images, objects, and ideas". [2] It has also been defined as "the taking over, into a work of art, of a real object or even an existing work of art."