Search results
Results from the WOW.Com Content Network
Wallace Stevens (October 2, 1879 – August 2, 1955) was an American modernist poet. He was born in Reading, Pennsylvania, educated at Harvard and then New York Law School, and spent most of his life working as an executive for an insurance company in Hartford, Connecticut.
The literary scholar Beverly Maeder writing for the Cambridge Companion to Wallace Stevens speaks of the importance the author placed upon linguistic structure in many of his poems. In this instance, Stevens is experimenting with the application of the verb 'to be' in its many forms and conjugations throughout the 13 cantos of the poem.
Many literary artists such as Ernest Hemingway and Robert Frost frequently visited Key West and drew inspiration from its environment; among them was Stevens, who met the two men on different occasions. [2] [3] As with many other poems of Stevens', "The Idea of Order at Key West" introduces dissonance between reality and
These are poems predominantly from the first book of poems written by the American poet Wallace Stevens and first published in 1923. The second edition of the book was published a decade later. It is not a full list of his poems.
The Wallace Stevens Journal has been published by the Wallace Stevens Society since 1979 [9] and its editor, John N. Serio, has collected some of the journal's essays in The Cambridge Companion to Wallace Stevens. An audiobook of his complete public domain poems was completed by Librivox in 2007.
The Wallace Stevens Journal is an academic journal established in 1977 and the official publication of The Wallace Stevens Society. It covers the works and life of the American modernist poet Wallace Stevens. The journal is published twice a year by the Johns Hopkins University Press.
Get AOL Mail for FREE! Manage your email like never before with travel, photo & document views. Personalize your inbox with themes & tabs. You've Got Mail!
For Stevens modern poetry lifted the poet and the reader out of the doldrums of daily life into a brilliant if temporary moment of intense life. For the reader to participate in this aesthetic experience, he or she needed to engage actively in making sense out of the poem.