Search results
Results from the WOW.Com Content Network
The song begins with a minor i chord in the key of D minor, moves to a major IV, comes back to the minor i, and then moves to a major VI chord, a IV in the key of F. The song then modulates to the key of F major (the relative major of D minor) through a substituted plagal cadence, using a I-ii progression to solidify the new tonic of F.
This list is of songs that have been interpolated by other songs. Songs that are cover versions, parodies, or use samples of other songs are not "interpolations". The list is organized under the name of the artist whose song is interpolated followed by the title of the song, and then the interpolating artist and their song.
In music, modulation is the change from one tonality (tonic, or tonal center) to another. This may or may not be accompanied by a change in key signature (a key change ). Modulations articulate or create the structure or form of many pieces, as well as add interest.
The song's verses are in C Dorian. Verse one consists of four lines, each using the chord pattern Cm-B ♭ /C-Cm-F/C-Cm-Gm7-Cm. At the chorus, the song modulates to the key of G major, with a chord pattern of Am-D7-G-Em used three times before ending on Am-D7-Gm. [10] Verse two uses the same structure as verse one, with an additional two lines.
The song opens and ends with synthesiser arpeggios, with the majority of the song driven by bass and synth. Bellamy's vocal lines in the song span from F3 to E5, except for live performances, where he hits a G5 in the final chorus. The song is written in the key of C minor and modulates to the parallel major key during the chorus.
Interpolation is prevalent in many genres of popular music; early examples are the Beatles interpolating "La Marseillaise" and "She Loves You", among three other interpolations in the 1967 song "All You Need Is Love", [3] and Lyn Collins interpolating lyrics from the 5 Royales' "Think" in her similarly titled 1972 song "Think (About It)". One ...
"I Get Around" is a song by American rock band the Beach Boys and the opening track from their 1964 album All Summer Long. Written by Brian Wilson and Mike Love, the autobiographical lyrics describe the group's reaction to their newfound fame and success, as well as their restlessness concerning the status quo, and their desire to find new places "where the kids are hip".
The song is composed originally in the key of C major. The bridge modulates to the key of A flat major, moves to B major, then to D major for the final chorus, finally ending in B major for the coda, representing the song's sad ending. [citation needed]