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Fanned-fret guitars have a multi-scale fingerboard because of "offset" frets; that is, frets that extend from the neck of the guitar at an angle. Ralph Novak (Novax Guitars) was the first to apply this idea to the electric guitar (1988). [2] The frets are arrayed on an angle, in contrast to the standard perpendicular arrangement of other guitars.
Using a handheld gouger to cut a design into linoleum for a linocut print Linocut printing; using a design cut into linoleum to make a print on paper. Since the material being carved has no directional grain and does not tend to split, it is easier to obtain certain artistic effects with lino than with most woods, although the resultant prints lack the often angular grainy character of ...
Electric guitar design is a type of industrial design where the looks and efficiency of the shape as well as the acoustical aspects of the guitar are important factors. In the past many guitars have been designed with various odd shapes as well as very practical and convenient solutions to improve the usability of the object.
Learning NST enabled guitarists to experience playing the guitar as a beginner, albeit usually a sophisticated beginner. At Guitar Craft seminars and courses, students work exclusively in NST. For new GC students, NST is unfamiliar, and so all students have the same experience of renewing their guitar playing while having difficulty adjusting ...
The Gibson Chet Atkins CEC was a classical electric guitar manufactured by Gibson and released in 1982. [1] Developed with guitarist Chet Atkins and Kentucky luthier Hascal Haile, [2] the Chet Atkins CEC (Cutaway Electric Classical) merged solid-body electric guitar with classical guitar, resulting in a nylon-string instrument that could be played at high volumes in large auditoriums without ...
Free-stroke , in which the finger does not land on the string behind, but, rather, continues until the energy of the stroke is dissipated. Rest stroke is useful for single-line melody playing. Free-stroke is mainly used in arpeggio ("broken-chord") playing. They are often combined to provide contrasting voices, between melody and harmony.
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