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"Blue Moon of Kentucky" is a waltz written in 1945 by bluegrass musician Bill Monroe and recorded by his band, the Blue Grass Boys. Some think the origins may trace back to "Roll Along, Kentucky Moon", a similar waltz recorded 20 years prior by Jimmie Rodgers. The song has since been recorded by many artists, including Elvis Presley and Paul ...
On! U of K", [1] is a fight song at the University of Kentucky. Although it is primarily associated with the historically successful Kentucky Wildcats men's basketball program, the lyrics are actually specific to football. [2] Aside from this song, the school is rarely referred to as "U of K" but simply as "UK."
Other tracks new to the release were Rimes's cover of Bill Monroe's "Blue Moon of Kentucky" and the song "River of Love". All of the songs first included on All That were recorded when Rimes was eleven years old between April and June 1994, while the three new tracks were recorded when she was twelve.
The last image we have of Patrick Cagey is of his first moments as a free man. He has just walked out of a 30-day drug treatment center in Georgetown, Kentucky, dressed in gym clothes and carrying a Nike duffel bag. The moment reminds his father of Patrick’s graduation from college, and he takes a picture of his son with his cell phone.
"Kentucky Waltz" is a 1946 song written and performed by Bill Monroe. The song was Bill Monroe's most successful release on the Country & Western charts peaking at number three. The song was Bill Monroe's most successful release on the Country & Western charts peaking at number three.
Dixie Lullabies is an album by the American southern rock/country rock band The Kentucky Headhunters. It was released on October 18, 2011 through Red Dirt Records. It was released on October 18, 2011 through Red Dirt Records.
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"Blue Moon" is a popular song written by Richard Rodgers and Lorenz Hart in 1934 that has become a standard ballad. Early recordings included those by Connee Boswell and by Al Bowlly in 1935. The song was a hit twice in 1949, with successful recordings in the U.S. by Billy Eckstine and Mel Tormé .