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2. Bhinna Shadja - Wikipedia

   en.wikipedia.org/wiki/Bhinna_Shadja

   Bhinna Shadja is a raga of Hindustani classical music belonging to the Bilaval Thaat (Melakarta No. 29 Dheerashankarabharanam). It contains five Shuddha Swaras: Shadaja, Gandhar, Madhyama, Dhaivata, and Nishad. Rishabh and Pancham are omitted. In the form of notation it contains S, G, M, D and N.

3. Shadja - Wikipedia

   en.wikipedia.org/wiki/Shadja

   Ragas where Sa is the Vadi svara - Raga Malkauns, etc. Ragas where Sa is the Samvadi svara - Raga Kedar. Hypothetically speaking, Shadaj is said to be the Sakar Bhrama , Sakar Bhrama as in the three main gods, Bhrama, Vishnu and Shiva. Sa is made the acronym of Sakar for showing the importance of the syllable Sa. [4]

4. List of ragas in Hindustani classical music - Wikipedia

   en.wikipedia.org/wiki/List_of_ragas_in...

   This is a list of various Ragas in Hindustani classical music.There is no exact count/known number of ragas which are there in Indian classical music.. Once Ustad Vilayat Khan saheb at the Sawai Gandharva Bhimsen Festival, Pune said before beginning his performance – "There are approximately four lakh raags in Hindustani Classical music.

5. Pancham (svara) - Wikipedia

   en.wikipedia.org/wiki/Pancham_(svara)

   When we break the word Shadja then we get, Shad And Ja. It means that Shad is 6 and ja is 'giving birth' in Sanskrit. [4] So basically the translation is : षड् - 6, ज -जन्म. Therefore it collectively means giving birth to the other six notes of the music. So the svara Pa is formed from Shadja. The frequency of Pancham is 360 Hz.

6. List of audio conversion software - Wikipedia

   en.wikipedia.org/wiki/List_of_audio_conversion...

   An audio conversion app (also known as an audio converter) transcodes one audio file format into another; for example, from FLAC into MP3. It may allow selection of encoding parameters for each of the output file to optimize its quality and size.

7. Gandhara (svara) - Wikipedia

   en.wikipedia.org/wiki/Gandhara_(svara)

   When we break the word Shadja then we get, Shad And Ja. It means that Shad is 6 and ja is 'giving birth' in Marathi. [3] So basically the translation is : षड् - 6, ज -जन्म . Therefore, it collectively means giving birth to the other 6 notes of the music. So the svara Ga is formed from Shadja. The frequency of Gandhara is 300 Hz.

8. Arohana - Wikipedia

   en.wikipedia.org/wiki/Arohana

   Arohana, Arohanam, Aroh or Aroha, in the context of Indian classical music, is the ascending scale of notes in a raga. [1] The pitch increases as we go up from Shadja (Sa) to the Taar Shadja (Sa), possibly in a crooked (vakra) manner.

9. Dhaivata (svara) - Wikipedia

   en.wikipedia.org/wiki/Dhaivata_(svara)

   When we break the word Shadja then we get, Shad And Ja. It means that Shad is 6 and ja is 'giving birth' in Marathi. [4] So basically the translation is : षड् - 6, ज -जन्म . Therefore, it collectively means giving birth to the other 6 notes of the music. So the svara Dha is formed from Shadja. The frequency of Dhaivata is 400 Hz.