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Aeschylus' popularity is evident in the praise that the comic playwright Aristophanes gives him in The Frogs, produced some 50 years after Aeschylus' death. Aeschylus appears as a character in the play and claims, at line 1022, that his Seven against Thebes "made everyone watching it to love being warlike". [ 51 ]
Aeschylus (Ancient Greek: Αισχύλος) of Rhodes was appointed by Alexander the Great one of the inspectors of the governors of that country after its conquest in 332 BC. [1] He is not spoken of again until 319, when he is mentioned as conveying in four ships six hundred talents of silver from Cilicia to Macedonia , which were detained at ...
Aeschylus of Alexandria (Greek Αισχύλος ὁ Ἀλεξανδρεύς) was an epic poet who must have lived before the end of the 2nd century, and whom Athenaeus calls a well-informed man. One of his poems bore the title Amphitryon, and another Messeniaca. A fragment of the former is preserved in Athenaeus. [1]
Prometheus Bound (Ancient Greek: Προμηθεὺς Δεσμώτης, romanized: Promētheús Desmṓtēs) is an ancient Greek tragedy traditionally attributed to Aeschylus and thought to have been composed sometime between 479 BC and the terminus ante quem of 424 BC.
Aeschylus was not the first to write a play about the Persians — his older contemporary Phrynichus wrote two plays about them. The first, The Sack of Miletus (written in 493 BC, 21 years before Aeschylus' play), concerned the destruction of an Ionian colony of Athens in Asia Minor by the Persians.
The proverbial image of the wounded eagle was to become a common conceit in English poetry of the 17th century and after. Just as Aeschylus described his image as coming from Libya, James Howell identifies the 2nd century writer Lucian as his source in a commendatory poem on the work of Giles Fletcher:
While Aeschylus wrote his play to end with somber mourning for the dead brothers, it now contains an ending that serves as a lead-in of sorts to Sophocles' play: a messenger appears, announcing a prohibition against burying Polynices; his sister Antigone, however, announces her intention to defy this edict.
A small number of verses from these three of Aeschylus' lost works have been saved: fifty-four from Myrmidons, seven from Nereids and twenty-one from Phrygians. A sense of the pace at which additions to this corpus are made can be gleaned from the fact that a papyrus fragment containing seven letters on three lines that could be fitted over a two-line quote from Justin Martyr's dialogue Trypho ...